While
times are changing for the better, most men drink cheap beer,
highballs, or sugar-filled shots. Thanks to the growing classic cocktail
trends in today's large city bars, the growing number of small
distilleries and breweries, and television shows like Mad Men and
Boardwalk Empire, more and more are becoming interested in better
quality products and more traditional drinks. The mid to late 19th
century was the Golden Age of mixed drinks, led by the 'grandfather of
mixology,' Jerry Thomas, who in 1862 was the first to publish an
all-encompassing tome of bartending. Many great drinks and products were
lost during Prohibition, and while the practice of drinking well did
continue to a lesser extent from the 1930's until the 1960's, it is for
the most part the great classics from the Golden Age that survive today.
A distinguished gentleman appreciates these drinks for their taste and
history, and cares for the manner in which they are made. This
sophisticated man knows there is only one Martini, that anything called a
"cocktail" must contain bitters, and that an Old-Fashioned must never
contain juice or soda. Below are five classic drinks for this
distinguished gentleman.
(As
per the previous posts on Classic Cocktails for a Fancy Lady,
drink-preference should not be gender specific, and the purpose of this
post is historical. Furthermore, should any lady deem herself too
dangerous to be fancy, any of the following make excellent substitutes
as cocktails for a femme fatale.)
Old-Fashioned
This
is the drink with the most variations, the source of so many debates,
the biggest growing popularity, yet one of the most misunderstood.
Thanks to Donald Draper on TV's Mad Men (who, by the way, makes a terrible
Old-Fashioned), this drink is now ordered by droves of non-experienced
drinkers. This is an exciting trend. The disappointing news is that
practices from the dark ages of drinking (the 1970's to the 1990's) are
still alive today, and the drink is often ruined or just unrecognizable.
It is a finicky drink to maintain the balance of so few ingredients,
and of course most everyone prefers his or hers a slightly different
way. The drink’s history is a confusing one because it refers to a style
and not one particular drink. In the early to mid 19th century, The Sling
was a popular mixed drink that contained only spirit, sugar, water, and
perhaps a grate of nutmeg. At some point bitters was added to the mix,
birthing the “Bittered Sling,” which came be known as the “Cock-tail.”
Faster than you can mix one up, variations were born. Fruits here and
liqueurs there muddled up the original, and purists and old-farts began
to request their Cock-tails the “old-fashioned way.” Over time this
simply became an “Old-Fashioned.” Anything beyond the Bittered Sling
recipe is not an Old-Fashioned, though very small embellishments
included in Jerry Thomas’ variations (namely orange or lemon oil) are
welcomed. The recipe below is from “Modern American Drinks” by George
Kappeler in 1895, and is the best way to make a proper Old-Fashioned.
(Note the absence of juice, muddling, soda, or any liqueur.) The type of
bitters and spirit is up to the drinker and trying new combinations
makes for a multitude of exciting options (try brandy and Peychaud’s,
tequila and chocolate, or gin and Boker’s for example).
2oz whiskey
2 dashes Angostura bitters
1/2tsp of sugar (or one small sugar cube)
1 piece of lemon peel
Dissolve
the sugar with a little water in a whiskey-glass [Old-Fashioned or
rocks glass]; add bitters, a small piece ice, a piece lemon-peel, and
whiskey. Mix with a small barspoon and serve.
"A
small piece ice" can be substituted today with a few nice cubes (don't
ruin the drink with small, watery ones), and the lemon peel can be
swapped for orange if you please. Express the oil of the peel over top
of the drink for best effect. A common practice is to soak the sugar in
both water and bitters before adding ice and spirit.
Sazerac
Ordering
this drink more than five years ago would have gotten you strange
looks. Because of its history and fantastic taste, it was and is an
obscure favourite among cocktail enthusiasts. Many claims are made to it
being the oldest cocktail, but this is not true. We’ve tracked its
inception to 1850's New Orleans in a slightly different form than we
most often enjoy now. The Sazerac is the product of two smart men: one
who imported the Sazerac de Forge et Fils, and the other who changed the
name of his bar to "Sazerac House," where the cocktail was first made
and became popular, thus naming it the "Sazerac Cocktail." Peychaud's
bitters was literally made down the street, so it was the obvious
choice. The first printed recipe in 1908 called for “good whiskey”
(which in New Orleans means straight rye) at which point Cognac had
become less abundant. The drink's flavour is dry and spicy, and the
union of Peychaud's, absinthe, and rye (or Cognac for that matter) is
something truly special. Again, the process of making the drink is
important for both flavour and anticipation, so follow it closely. Use a
good quality spirit, preferably a higher-proof and spicy rye, absinthe
if you can, raw sugar, and lastly you can substitute Bitter Truth Creole
Bitters for Peychaud's (but go with one fewer dash as it's more
potent).
2 oz straight rye whiskey [or Cognac]
1 sugar cube
2-3 dashes Peychaud's bitters
Absinthe
Lemon peel
Fill
an Old-Fashioned or Sazerac glass with cracked ice. Put the sugar in a
mixing container, add the bitters and a little water and let dissolve.
Add the whiskey, fill with ice, and stir. Dump the ice out of the glass
and pour in a little absinthe, and roll around to coat the glass before
discarding. Strain the whiskey mixture into the glass, then express the
oil from the lemon peel over top and drop it into the glass.
Manhattan
This
one is the probably the most famous and enduring of all classics,
enjoyed by many in literature and film, particularly gentlemen, but also
by bad-news ladies like Marilyn Monroe in “Some Like It Hot.” Vermouth
entered the mixed drink equation sometime in the 1870's, drastically
changing things for generations to come. Suddenly cocktails weren't just
spirits with small additions of liqueurs, bitters, sugars, and
sometimes fruits. Now spirits shared the spotlight or even had a
supporting role in many popular drinks. Arguably the first of these was
the Manhattan, made at the Manhattan Club in, yes, Manhattan. Its first
mention was in the 1870’s, its first recipe in 1884, and the closest
recipe to what we use today appeared in 1892. Early incarnations
included maraschino, absinthe, gum syrup, and no whiskey specification,
but the drink simplified over time. The type of whiskey and bitters are
still optional, and like the Old-Fashioned make for very different
drinks. A higher-proof whiskey mixes better, with rye being drier and
spicier and bourbon being fuller and sweeter. Always stir, never shake,
serve up and not on the rocks, and the garnish is always optional.
2oz whiskey
1oz sweet vermouth
2-3 dashes bitters
Add
ingredients to a mixing glass, add ice, stir, and strain into a
cocktail glass. Garnish with a real cherry, or a citrus peel (optional).
Martini
The
Manhattan-style cocktail at times contained gin instead of whiskey,
which became known as the Martini - the same drink save the spirit
choice. The origins of the Martini are some of the most disputed of them
all, numerous ones appearing around the same time, but the concept
remained the same. The Turf Club is the simplest, while The Fourth Degree contained absinthe, and The Martinez contained maraschino and twice the amount of vermouth. The later and most popular incarnation, The Dry Martini,
made an important change in recipe: swapping Italian vermouth for
French. As time wore on after Prohibition, Martinis got drier and drier,
reducing the vermouth down to smaller and smaller amounts. In the later
half of the 20th century good-quality vermouths were harder to come by
and the lack of knowledgeable bartenders left it sitting on shelves
instead of fresh and in the fridge, and the vermouth became essentially
non-existent. Furthermore, James Bond confused many by calling his Kangaroo Cocktail
a "Vodka Martini" (which even confused the Bond girl). A classic
gentleman does not drink a Martini with vodka, though will sometimes
drink it dry. However, a Martini without dry vermouth or bitters is not a
Martini. Below is the classic 1890's version, in which you can reduce
the amount of vermouth and swap the orange peel for a lemon if you
please. The olive is a later addition, and can mask the flavours of the
drink, but to each his own. Be sure to use fresh
vermouth - it is wine and should be kept in the fridge and will spoil
and then ruin your drink. Choose a good gin and a great vermouth.
2oz gin (Old Tom traditionally, but London Dry works just fine)
1oz dry vermouth
1 dash orange bitters
Stir ingredients with ice and strain into a cocktail coupe. Squeeze a piece of orange peel over top.
Negroni
In
1860’s Italy, Gaspare Campari invented the most famous of amari, aptly
named Campari, before settling down and opening a cafe. The signature
drink there was the “Milano Torino,”
combining Campari from Milan and Cinzano vermouth from Turin then
topped with soda. The early 20th century brought an influx of American
tourists, among whom the drink found popularity and was renamed the “Americano.”
(It found popularity elsewhere too, even being the first drink James
Bond ever ordered). In 1919, Count Camillo Negroni asked the bartender,
Fosco Scarselli, at the Caffe Casoni for a stronger version of this
drink by swapping the soda with gin. This drink subsequently became
wildly popular in Europe. In 1947, iconic director/actor Orson Welles
was working on his film "Cagliostro" in Rome, and spoke to reporters
about his new favourite drink, The Negroni,
saying "the bitters are excellent for your liver, the gin is bad for
you - they balance each other." It wasn't long before the drink became
popular in the U.S., though in the more American style it was enjoyed up
rather than on the rocks. The three ingredients balance and accent each
other beautifully, and as such the Negroni structure has been used for
numerous variations and new concepts. The most notable - drinks also
worthy of a distinguished gentleman - are the Boulevardier, which replaces the gin with bourbon, and the Old Pal,
which switches gin for straight rye and Italian vermouth for French.
While Campari is very bitter and therefore an acquired taste, it's a
worthwhile one, and the Negroni is a drink bound to be in your life for
good.
1oz London Dry gin
1oz Italian vermouth
1oz Campari
Add
ingredients together and stir with ice. Strain over rocks in an
old-fashioned glass. Garnish with a slice of orange a piece of lemon
peel.
[Photo: Cary Grant]
Part of the fun of drinking cocktails is tapping into a history and a culture of a particular time. This is a discussion of drinks, spirits, bartending, and history for beginners and professionals alike. Follow me on Twitter for more! @RhettAWilliams
Showing posts with label rye whiskey. Show all posts
Showing posts with label rye whiskey. Show all posts
Tuesday, 19 February 2013
Monday, 24 December 2012
Winter Cocktails: French 75 in New Orleans
It is with great appreciation and honour that I present a whopping total of four Christmas cocktails from the historic New Orleans bar, the French 75. The bar itself was built in the late 1800's, but was renovated in the 1970's, and reinvented in 2003 with an emphasis on premium spirits and cigars, and of course the new renaissance in cocktails. This award-winning bar is the first in New Orleans to grace this site, and they have graciously contributed a handful of recipes.
"The Winter Waltz," a rye, amaro, and Christmas spice mix, is named after head bartender Chris Hannah's favourite Frank Sinatra Christmas Carol. "The Contessa" is a nod to the character in Tennesse Williams' novel, "The Roman Spring of Mrs. Stone." Contessa was the swindler in the book who introduced the Negroni to the characters in tho novel.
Winter Waltz
2 oz Rye Whiskey
1/2 oz Averna Amaro
1/4 oz St. Elizabeth's Allspice dram
2 dashes Angostura bitters
Shake with ice, strain into cocktail glass, garnish with star anise.
Dicken's Toddy
2 oz Wild Turkey bourbon
1/2 oz Maple Syrup
3 dashes Angostura Bitters
Build like and Old-Fashioned in a rocks glass with ice, garnish with an orange peel and a cherry.
Contessa
3/4 oz London Dry Gin or Plymouth Gin
3/4 oz Aperol
3/4 oz Ruby Red Grapefruit juice
1/2 oz Cranberry Cordial
2 dashes Orange Bitters
Shake with ice, strain into chilled cocktail glass, garnish with an orange peel.
(We make the Cranberry cordial similar to making Cranberry Sauce)
A fairly simple alternative to making a cordial is making an infused simple syrup. By adding equal parts water to sugar (usually 1 cup) and adding fresh cranberries to the mix once the sugar dissolves over low heat, you can make a cranberry syrup to use in this and other similar Christmas cocktails).
Charante Hessian
1 1/2 oz Cognac
1 1/2 oz Pumpkin Butter
1/4 oz St. Elizabeth's Allspice dram
4 oz boiling hot water
Build in a tempered glass or mug, stir and garnish with grated cinnamon and nutmeg.
Pumpkin butter is a compound butter with added pumpkin puree.
Cheers to the French 75 team and their amazing bar in such a historically exciting city.
Merry Christmas everyone!
"The Winter Waltz," a rye, amaro, and Christmas spice mix, is named after head bartender Chris Hannah's favourite Frank Sinatra Christmas Carol. "The Contessa" is a nod to the character in Tennesse Williams' novel, "The Roman Spring of Mrs. Stone." Contessa was the swindler in the book who introduced the Negroni to the characters in tho novel.
Winter Waltz
2 oz Rye Whiskey
1/2 oz Averna Amaro
1/4 oz St. Elizabeth's Allspice dram
2 dashes Angostura bitters
Shake with ice, strain into cocktail glass, garnish with star anise.
Dicken's Toddy
2 oz Wild Turkey bourbon
1/2 oz Maple Syrup
3 dashes Angostura Bitters
Build like and Old-Fashioned in a rocks glass with ice, garnish with an orange peel and a cherry.
Contessa
3/4 oz London Dry Gin or Plymouth Gin
3/4 oz Aperol
3/4 oz Ruby Red Grapefruit juice
1/2 oz Cranberry Cordial
2 dashes Orange Bitters
Shake with ice, strain into chilled cocktail glass, garnish with an orange peel.
(We make the Cranberry cordial similar to making Cranberry Sauce)
A fairly simple alternative to making a cordial is making an infused simple syrup. By adding equal parts water to sugar (usually 1 cup) and adding fresh cranberries to the mix once the sugar dissolves over low heat, you can make a cranberry syrup to use in this and other similar Christmas cocktails).
Charante Hessian
1 1/2 oz Cognac
1 1/2 oz Pumpkin Butter
1/4 oz St. Elizabeth's Allspice dram
4 oz boiling hot water
Build in a tempered glass or mug, stir and garnish with grated cinnamon and nutmeg.
Pumpkin butter is a compound butter with added pumpkin puree.
Cheers to the French 75 team and their amazing bar in such a historically exciting city.
Merry Christmas everyone!
Labels:
allspice,
amaro,
angostura,
Aperol,
averna,
bourbon,
brandy,
christmas,
cranberry,
gin,
grapefruit,
holiday,
maple syrup,
new orleans,
orange bitters,
pumpkin,
rye whiskey,
seasonal,
whiskery,
winter
Sunday, 23 December 2012
Winter Cocktails: "Strathcona" from L'Abattoir
It's so close to Christmas! There are still a handful of recipes to share. If you're like me, you'll be drinking holiday drinks throughout the rest of winter, so while these recipes are late at least they'll still be usable.
Today, Shaun Layton at L'Abattoir in Vancouver is sharing one of his holiday drinks using Rittenhouse rye that's been infused with candy cap mushrooms, ones they use in desserts at the restaurant. Chocolate bitters and Becherovka supply a good amount of spice to this Red Hook variation.
Strathcona
Today, Shaun Layton at L'Abattoir in Vancouver is sharing one of his holiday drinks using Rittenhouse rye that's been infused with candy cap mushrooms, ones they use in desserts at the restaurant. Chocolate bitters and Becherovka supply a good amount of spice to this Red Hook variation.
Strathcona
45 ml Candy cap mushroom-infused Rittenhouse Rye Whiskey
25 ml Punt E Mes
10 ml Becherovka
3 dashes Bittermens Xocolatl Mole bitters
Stir with ice, strain into a cocktail coupe. Garnish with a cherry.
Also stop by L'Abattoir this month for the festive "Slaughternog."
See you very soon for the final cocktails of the season from the French 75 bar in New Orleans.
More Holiday Drinks!
[[ Teardrop Lounge Part 1 ]]
More Holiday Drinks!
[[ Teardrop Lounge Part 1 ]]
[["Yukon Cornelius" from Veneto in Victoria ]]
[[ "The Rockefeller" from Veneto in Victoria ]]
[[ The Hot Toddy ]]
[[ Winter drinks from Smuggler's Cove in San Francisco ]]
[[ "Bear Skin" from The Refinery in Vancouver ]]
[[ "Cold & Delicious" from The Violet Hour in Chicago ]]
[[ The history of Eggnog ]]
[[ "Gold," "Frankincense," and "Myrrh" from Trevor Kallies in Vancouver ]]
[[ "Old Saint Juan" from Shea Hogan in Vancouver ]]
[[ "Hot Buttered Rhum Cider" from Slanted Door in San Francisco ]]
[[ The history of mulled wine ]]
[[ The history of The Flip ]]
[[ Hot Buttered Rum ]]
[[ "The Rockefeller" from Veneto in Victoria ]]
[[ The Hot Toddy ]]
[[ Winter drinks from Smuggler's Cove in San Francisco ]]
[[ "Bear Skin" from The Refinery in Vancouver ]]
[[ "Cold & Delicious" from The Violet Hour in Chicago ]]
[[ The history of Eggnog ]]
[[ "Gold," "Frankincense," and "Myrrh" from Trevor Kallies in Vancouver ]]
[[ "Old Saint Juan" from Shea Hogan in Vancouver ]]
[[ "Hot Buttered Rhum Cider" from Slanted Door in San Francisco ]]
[[ The history of mulled wine ]]
[[ The history of The Flip ]]
[[ Hot Buttered Rum ]]
Thursday, 13 December 2012
Winter Cocktails: "The Rockefeller" from Veneto in Victoria
Today Katie McDonald from Veneto Tapa Lounge in Victoria gives us her Christmas Manhattan. It's named in honour of the plaza dead-centre of the city where the lighting of New York's giant Christmas tree is an annual tradition: The Rockefeller.
She infuses a Canadian whisky with a Chai tea, which employs the usual Christmas suspects: cinnamon, clove, nutmeg, allspice, and cardamom.
[["Yukon Cornelius" from Veneto in Victoria ]]
[[ "The Rockefeller" from Veneto in Victoria ]]
[[ The Hot Toddy ]]
[[ Winter drinks from Smuggler's Cove in San Francisco ]]
[[ "Bear Skin" from The Refinery in Vancouver ]]
[[ "Cold & Delicious" from The Violet Hour in Chicago ]]
[[ The history of Eggnog ]]
[[ "Gold," "Frankincense," and "Myrrh" from Trevor Kallies in Vancouver ]]
[[ "Old Saint Juan" from Shea Hogan in Vancouver ]]
[[ "Hot Buttered Rhum Cider" from Slanted Door in San Francisco ]]
[[ The history of mulled wine ]]
[[ The history of The Flip ]]
[[ Hot Buttered Rum ]]
She infuses a Canadian whisky with a Chai tea, which employs the usual Christmas suspects: cinnamon, clove, nutmeg, allspice, and cardamom.
The Rockefeller
2oz Chai spice-infused Alberta Premium Rye Whisky
1oz Cinzano Rosso
2 dashes Aromatic Bitters
Gently
stir all ingredients together and strain into a chilled coupe,
garnish
with a brandied cherry and some torched orange oil.
Bar manager Simon Ogden explains the Chai: "We infuse ours with Silk Road Chai, made
by a Victoria-based tea company, but it's fun to make your own as well
from winter spices. It
doesn't take much to infuse, maybe an hour, and it can definitely
overpower the whiskey if you're not careful."
Searching online for homemade Chai brings an array of recipes and is fun to do during this season anyway, so give it a try!
Click below to see other drinks from Veneto:
[["Yukon Cornelius" from Veneto in Victoria ]]
[[ "The Rockefeller" from Veneto in Victoria ]]
[[ The Hot Toddy ]]
[[ Winter drinks from Smuggler's Cove in San Francisco ]]
[[ "Bear Skin" from The Refinery in Vancouver ]]
[[ "Cold & Delicious" from The Violet Hour in Chicago ]]
[[ The history of Eggnog ]]
[[ "Gold," "Frankincense," and "Myrrh" from Trevor Kallies in Vancouver ]]
[[ "Old Saint Juan" from Shea Hogan in Vancouver ]]
[[ "Hot Buttered Rhum Cider" from Slanted Door in San Francisco ]]
[[ The history of mulled wine ]]
[[ The history of The Flip ]]
[[ Hot Buttered Rum ]]
Monday, 27 August 2012
Aperol & St. Germain
Since hitting the North American market in 2006 and 2007 respectively, Aperol and St-Germain liqueurs
have become staples on many a cocktail menu. It's no secret that the
latter is ridiculously tasty and is considered by some to be almost
cheating because of its ability to make just about anything delicious.
Made from elderflowers gathered in France by hand during only a handful
of weeks, and transported by bicycle before being gently macerated, the
liqueur is not overly sweet for a liqueur. It offers aromas of flowers,
peach, pear, grapefruit, and lychee, and flavours just as wonderful.
Perhaps the reason bartenders get so excited about it, however, is its
acidity, which balances extremely well in a cocktail and even in small
doses can round out a drink without ever being overpowering. Aperol, the
mildest of Italian amari, originated in 1919 with the intention of
being a lighter version of Campari and
as such offers lower alcohol content, a sweeter profile, and much less
bitterness. It is also much less complex, and has strong rhubarb and
orange flavours. It will be bitter for some, but most experienced
drinkers will find it quite mild. Modern bartenders have furthered its
reputation of being "Campari's younger brother" by swapping the liqueurs
in classic drinks such as the Negroni and Boulevardier, or at least
mixing the two so as to make these drinks more palatable to the
uninitiated.
It is usually fair to assume that putting two awesome things together will create further awesome drinks, and in this particular case this logic yields amazing results. However, it doesn't seem to happen as often as one would expect. There are a ton of options, particularly with gin, and it is worth experimenting. With the hot weather finally arriving in the Pacific Northwest, here is a small collection of some summer afternoon refreshers to evening sippers employing the skills of both of these liqueurs and the magic they create together.
Apparent Sour
(Bobby Heugel, Anvil Bar & Refuge, Houston)
These taste amazing and are perfect not only for summer, but also for anyone looking for something low-proof. A perfect and simple example of the great flavour you get from mixing the two liqueurs. Try switching the lime for lemon and throwing in a dash of your favourite bitters.
Primrose
(Jay Jones, Shangri-La Hotel, Vancouver)
There are a lot of options in sour-territory.
This is a great starting point to play around with the bitters, citrus, or spirit choice. Tone down the Aperol and top with sparkling wine for a lighter drink even better suited for hot weather.
Rye Invention
(Kathy Casey, Small Screen Network)
This one is surprisingly light in flavour and mouth-feel for a whiskey-based cocktail and the rye brings some much welcomed spice to the mix. Using a different spirit with a dry profile might work well here too (such as a slightly high-proof rum, an unaged Tequila, or be very adventurous and use aquavit or a Scotch).
Welcome To The Dark Side
(Colin Turner, Cin Cin, Vancouver)
A much darker, heavier drink than the rest so far. The liqueurs offer a lot of complexity and bitterness, but the sugar from each balance everything very nicely. Despite having a whiskey base and using a full ounce of Averna, the flavour offers a lot of fruit along with chocolate and vanilla. Using a dry bourbon is your best bet here to really round things out (Colin prefers Maker's 46).
Article by Rhett Williams; originally published on www.shakestir.com
[[ Photography:
Wall Street Journal (Apparent Sour)
Taste Magazine (Primrose)
Small Screen Network (Rye Invention)
Rhett Williams (Welcome to the Dark Side) ]]
It is usually fair to assume that putting two awesome things together will create further awesome drinks, and in this particular case this logic yields amazing results. However, it doesn't seem to happen as often as one would expect. There are a ton of options, particularly with gin, and it is worth experimenting. With the hot weather finally arriving in the Pacific Northwest, here is a small collection of some summer afternoon refreshers to evening sippers employing the skills of both of these liqueurs and the magic they create together.
Apparent Sour(Bobby Heugel, Anvil Bar & Refuge, Houston)
- 1.5 oz Aperol
- 0.75 oz St-Germain
- 0.75 oz lime juice
These taste amazing and are perfect not only for summer, but also for anyone looking for something low-proof. A perfect and simple example of the great flavour you get from mixing the two liqueurs. Try switching the lime for lemon and throwing in a dash of your favourite bitters.
Primrose
(Jay Jones, Shangri-La Hotel, Vancouver)
- 1.5 oz London Dry Gin
- 1 oz Aperol
- 0.75 oz St-Germain
- 0.5 oz lemon juice
- 2 dashes peach bitters
There are a lot of options in sour-territory.
This is a great starting point to play around with the bitters, citrus, or spirit choice. Tone down the Aperol and top with sparkling wine for a lighter drink even better suited for hot weather.
Rye Invention(Kathy Casey, Small Screen Network)
- 1.5 oz Straight Rye Whiskey
- 0.75 oz St-Germain
- 0.75 oz Aperol
This one is surprisingly light in flavour and mouth-feel for a whiskey-based cocktail and the rye brings some much welcomed spice to the mix. Using a different spirit with a dry profile might work well here too (such as a slightly high-proof rum, an unaged Tequila, or be very adventurous and use aquavit or a Scotch).
Welcome To The Dark Side(Colin Turner, Cin Cin, Vancouver)
- 1.5 oz Bourbon
- 1 oz Amaro Averna
- 0.25 oz St-Germain
- 0.25 oz Aperol
- Orange Peel
A much darker, heavier drink than the rest so far. The liqueurs offer a lot of complexity and bitterness, but the sugar from each balance everything very nicely. Despite having a whiskey base and using a full ounce of Averna, the flavour offers a lot of fruit along with chocolate and vanilla. Using a dry bourbon is your best bet here to really round things out (Colin prefers Maker's 46).
Article by Rhett Williams; originally published on www.shakestir.com
[[ Photography:
Wall Street Journal (Apparent Sour)
Taste Magazine (Primrose)
Small Screen Network (Rye Invention)
Rhett Williams (Welcome to the Dark Side) ]]
Labels:
Aperol,
averna,
bourbon,
houston,
lemon,
lime,
peach bitters,
rosemary,
rye whiskey,
st. germain,
vancouver,
whiskey
Tuesday, 8 May 2012
The Black And Tan
I'd like to do a (hopefully) briefer post today. I was flipping through my notebook full of drink recipes I scribble down when something catches my fancy and was reminded of one of the more refreshing rye drinks I've had - The Black and Tan. I found this on Jamie Boudreau's site from a few years ago when it was served as part of a lecture at the Tales of the Cocktail festival in 2007. The name rang a bell in my head and I suddenly remembered a Duke Ellington piece by the name "Black and Tan Fantasy" from 1927. I figure, while the time periods may not match up, the names do and that's good enough for me. So this cocktail was introduced by Allen Katz at the Rye Whiskey presentation, who claims it was from the Baltimore Country Club in 1898. Now, I may be wrong here, but the Baltimore Country Club was created in 1898, and due the wording of every mention of this cocktail I can find, it seems that Katz was claiming that the drink comes from the same time. This seems a little unlikely to me, as ginger beer was just gaining popularity as a drink by itself in the late 19th century, and mixing it with anything else wouldn't have come until later. So I took a look for any old ginger beer mixed drinks. The oldest I could find with specifically ginger beer is the Moscow Mule from the 1950's (though there is the Horse's Neck, or Kentucky Gentleman, which dates back to the 1890's, but uses just liquor, ginger ALE, and a lemon twist), but that brought me to finding out about the "mule" or "buck" style of drink. The Buck is ginger beer or ale, mixed with liquor and citrus juice, but I can't find any definitive information on how old it is. If anyone has details, please leave a comment!
As for the style of the drink itself, combining whiskey with citrus and sugar, then topping it with ice and soda and garnishing with fresh fruit was a very common drink in the 19th century, with subtle variations leading to numerous names - the Fizz and the Daisy, for example - and numerous others without the carbonated water, such as the Cobbler, Fix, Smash, and so on. There were also Champagne Cobblers, combining fruit, sugar, citrus, and bubbly, and Cobblers that required the fruit to be muddled and not just decoration, so from different directions a Black and Tan could have been plausible for the time. Having said all of this, I still have seen no proof or direct written account that claims the Black and Tan comes from 1898, only that it comes from the Baltimore Country Club.
Regardless, it's delicious and refreshing and very pretty. I always include this disclaimer for any Canadian readers - "rye" means whiskey made specifically from at least 51% rye grain. It does not just mean "Canadian whisky," and it's very sad and frustrating that the term has this second meaning because it leads to confusion and misinformation. This drink should be made with American straight rye whiskey, such as Rittenhouse 100 or Sazerac, and it just won't taste right if you try to use Canadian or bourbon.
Another disclaimer - this cocktail is NOT to be confused with another of the same name that requires you just to mix a light and dark beer. I'm not a beer drinker, but I think that's kind of weird.
BLACK & TAN
2 oz American rye whiskey
¼ oz simple syrup
¼ oz fresh lime juice
5 blackberries
8 mint leaves
Ginger Beer
In a mixing glass, muddle blackberries with simple syrup, lime and mint.
Add Sazerac rye and shake vigorously over ice.
Strain into a Collins glass filled with ice, then top with ginger beer.
Garnish with two fresh blackberries on a cocktail pick.
Duke Ellington, in case you are unfamiliar, is widely considered one of, if not the greatest American composer of all time. He wrote over 1000 compositions, has been decorated with every kind of award, tribute, and induction that can be bestowed upon him both while he was alive and posthumously. He scored for everything, not just big bands, and was integral to the evolution of jazz, helping to make it considered more of an art than just young-people-or-black-people-party-music, and he was also integral to the paradigm shift of America's view towards "coloured" people. His compositions were dynamic, intricate, and beautiful, and ranged from dance-floor romps to delicate ballads. He also incorporated African culture into his performances and music in the earlier years, in part leading to the misinformed and offensive term "jungle music." In 1927, Ellington wrote a piece called "Black and Tan Fantasy," which was later adapted into a feature film in 1929 by the same name as a showcase for the Harlem Renaissance Movement in art and music. Due to racial issues in the south, a lot of African American/black families moved to the northern cities to build better lives and get better jobs, particularly after World War I, and a mecca for this migration was New York City, namely Harlem. This became a centre for artistic culture through the 1920's and 1930's (at the time named the "New Negro Movement"), and really became a driving force behind the Civil Rights Movement that was to come after the 1940's. Jazz was a huge part of this scene, and it was innovators like Louis Armstrong and Duke Ellington who, as I have mentioned more than once, shaped the genre into what it would become. "Black and Tan Fantasy" is a typical blues progression, one that served as a framework for the majority of early jazz, so is still a fitting piece if we want to come back to the year 1898. It is a sad and angry piece of music, filled with aggression but also despair and apathy of sorts, which would be very fitting for the racial situations of the time. It is ironic to pair a cocktail from a white country club in Maryland with a Harlem Renaissance piece of music, and also ironic that they share the same name (again making me wonder exactly when this cocktail showed up), but that's the fun of doing this sort of thing.
Enjoy your delicious and refreshing spring/summer drink, The Black and Tan, perhaps with a little of the Duke - though perhaps put something a little more upbeat on afterwards, like "It Don't Mean A Thing If It Ain't Got That Swing," or "Take The 'A' Train."
[[ Photography by sloshed.hyperkinetic.org (cocktail) ]]
Labels:
1890's,
1920's,
baltimore,
blackberry,
ginger beer,
lime juice,
mint,
new york,
rye whiskey
Thursday, 19 April 2012
Amaro April: "Bad Apple" and "Jackson Ward" from Amor y Amargo
Through collecting new cocktails, new information, and engaging in some conversations for Amaro April I found out about a very fitting and very awesome new bar in New York called Amor y Amargo ("love and bitters") from barman Sother Teague. "AyA" is the first bar in New York (and the first I've heard of at all, actually) to "focus solely on exploring the richness of the world's bitters" - from amari, to amer, to Kräuterlikör, and so on. They have their own creations as well, including house-made vermouth on tap (for real), and being in partnership with Bittermens means they have a lot of bottlings that we'll probably never see over here (or up here - take your pick). You can even buy some of these bitters in their store, or take a class on making your own syrups and a tinctures, so it's a must if you're into bitter or trying to get there (and you should, if this month's series is any indication).
They've already racked up awards from numerous magazines and websites, and just looking at the menu and pictures of the bitters collection was inspiring me to do a little post on AyA on its own - then Sother sent me six recipes instead of just one when I asked him to contribute this month, which means I simply must do something on them and share all these delicious drinks. (The truly sad part is that all but one of the recipes include ingredients you can't buy in Canada, but some craft bars will have the good stuff and so will Washington if you take a booze-stop on your next road trip).
I'm going to share two different cocktails today, neither of which are on the menu at AyA yet, featuring two different base spirits and two different amari from two different bartenders (and it took me a long time to decide which ones to print first). One thing we haven't seen all month is any kind of brandy, so I had to go with Sother's "Bad Apple," which he describes as "floral and slightly fruity, but with a bitter punch." The amaro is familiar territory - Averna - but the bitters are an interesting one from Bittermens - the Hellfire Shrub, with flavours of spice and pepper and being a shrub, vinegar. Thankfully you can get all but one of the ingredients for this one at Legacy, Averna at $48, Antica at $75, and Yellow Chartreuse at $44, and the Bittermens are only $16 at Gourmet Warehouse. As for the apple brandy, I can't seem to find Laird's anywhere, but to substitute, there are several kinds of Calvados available at $40-50. I should also mention that the Antica is only $28, Averna is $33, and the Laird's is only $24, but surprisingly Yellow Chartreuse goes for a whopping $61. Score one for us!
Bad Apple
2oz Laird's Bonded Apple Brandy
0.75oz Averna
0.75oz Carpano Antica
1 dash Hellfire Shrub (Bittermens)
Stir with ice and strain into a Yellow Chartreuse-rinsed glass.
The next is one that really fits my tastes as a variation on the Manhattan, but, as Sother puts it, "with some lovely dark tobacco flavours and a funky bitterness." This drink comes from another AyA barman by the name of Chris Elford, who is also a distiller at King's County, a certified cicerone (beer extraordinaire), and is currently opening another two bars in Manhattan. He named his drink after a neighbourhood in Richmond, Virginia, that was named "the Harlem of the South" for its African-American arts scene. Rittenhouse and Nardini is a combination I've actually tried before at Cin Cin to great success, but unfortunately the Nardini is unavailable in Canada. It's only $28 in Washington though! Gosh I'm getting tired of writing that sort of thing. I may give up on offering buying advice soon because it's really depressing me...
As for the wormwood bitters, you can get them from Cocktail Kindgom.
Jackson Ward
2oz Rittenhouse Rye
0.75oz Amaro Nardini
0.25oz Sweet Vermouth
3 dashes Wormwood Bitters
1 dash Regan's Orange Bitters
Stir with ice. Serve up in a chilled coupe. Garnish with expressed lemon peel.
Thank you kindly to Sother and Chris for these originals, and thanks to AyA for doing something so cool and exciting!
Check out their new site here, and follow them @BRAINSNYC
Sother Teague is @CreativeDrunk
Chris Elford is @ChrisElford
and AyA can be found at @amoryamargo
Cheers!
[[ See my post on amaro digestivos here ]]
[[ See my post on amaro aperivos here ]]
[[ See a buying guide for amaro here ]]
[[ See "The One Hit Wonder" from L'abattoir in Vancouver here ]]
[[ See "The Penny Farthing" from Pourhouse here ]]
[[ See an introduction to amaro here ]]
[[ See "The Imperial Eagle" from Bourbon & Branch here ]]
[[ See "Sevilla" from Beretta here ]]
[[ See "Fallow Grave" from the Toronto Temperance Society here ]]
[[ See "The Black Prince" from Phil Ward here ]]
[[ See "The Four Horsemen" from Jay Jones at Shangri-La here ]]
[[ See Colin MacDougall from Blue Water Cafe here ]]
[[ See "Debbie Don't" from Dutch Kills here ]]
[[ See "Welcome to the Dark Side" from Cin Cin here ]]
[[ See "Foolish Games" from Russell Davis here ]]
[[ See "Intro To Aperol" from Audrey Saunders at Pegu Club here ]]
They've already racked up awards from numerous magazines and websites, and just looking at the menu and pictures of the bitters collection was inspiring me to do a little post on AyA on its own - then Sother sent me six recipes instead of just one when I asked him to contribute this month, which means I simply must do something on them and share all these delicious drinks. (The truly sad part is that all but one of the recipes include ingredients you can't buy in Canada, but some craft bars will have the good stuff and so will Washington if you take a booze-stop on your next road trip).
I'm going to share two different cocktails today, neither of which are on the menu at AyA yet, featuring two different base spirits and two different amari from two different bartenders (and it took me a long time to decide which ones to print first). One thing we haven't seen all month is any kind of brandy, so I had to go with Sother's "Bad Apple," which he describes as "floral and slightly fruity, but with a bitter punch." The amaro is familiar territory - Averna - but the bitters are an interesting one from Bittermens - the Hellfire Shrub, with flavours of spice and pepper and being a shrub, vinegar. Thankfully you can get all but one of the ingredients for this one at Legacy, Averna at $48, Antica at $75, and Yellow Chartreuse at $44, and the Bittermens are only $16 at Gourmet Warehouse. As for the apple brandy, I can't seem to find Laird's anywhere, but to substitute, there are several kinds of Calvados available at $40-50. I should also mention that the Antica is only $28, Averna is $33, and the Laird's is only $24, but surprisingly Yellow Chartreuse goes for a whopping $61. Score one for us!
Bad Apple
2oz Laird's Bonded Apple Brandy
0.75oz Averna
0.75oz Carpano Antica
1 dash Hellfire Shrub (Bittermens)
Stir with ice and strain into a Yellow Chartreuse-rinsed glass.
The next is one that really fits my tastes as a variation on the Manhattan, but, as Sother puts it, "with some lovely dark tobacco flavours and a funky bitterness." This drink comes from another AyA barman by the name of Chris Elford, who is also a distiller at King's County, a certified cicerone (beer extraordinaire), and is currently opening another two bars in Manhattan. He named his drink after a neighbourhood in Richmond, Virginia, that was named "the Harlem of the South" for its African-American arts scene. Rittenhouse and Nardini is a combination I've actually tried before at Cin Cin to great success, but unfortunately the Nardini is unavailable in Canada. It's only $28 in Washington though! Gosh I'm getting tired of writing that sort of thing. I may give up on offering buying advice soon because it's really depressing me...
As for the wormwood bitters, you can get them from Cocktail Kindgom.
Jackson Ward
2oz Rittenhouse Rye
0.75oz Amaro Nardini
0.25oz Sweet Vermouth
3 dashes Wormwood Bitters
1 dash Regan's Orange Bitters
Stir with ice. Serve up in a chilled coupe. Garnish with expressed lemon peel.
Thank you kindly to Sother and Chris for these originals, and thanks to AyA for doing something so cool and exciting!
Check out their new site here, and follow them @BRAINSNYC
Sother Teague is @CreativeDrunk
Chris Elford is @ChrisElford
and AyA can be found at @amoryamargo
Cheers!
[[ See my post on amaro digestivos here ]]
[[ See my post on amaro aperivos here ]]
[[ See a buying guide for amaro here ]]
[[ See "The One Hit Wonder" from L'abattoir in Vancouver here ]]
[[ See "The Penny Farthing" from Pourhouse here ]]
[[ See an introduction to amaro here ]]
[[ See "The Imperial Eagle" from Bourbon & Branch here ]]
[[ See "Sevilla" from Beretta here ]]
[[ See "Fallow Grave" from the Toronto Temperance Society here ]]
[[ See "The Black Prince" from Phil Ward here ]]
[[ See "The Four Horsemen" from Jay Jones at Shangri-La here ]]
[[ See Colin MacDougall from Blue Water Cafe here ]]
[[ See "Debbie Don't" from Dutch Kills here ]]
[[ See "Welcome to the Dark Side" from Cin Cin here ]]
[[ See "Foolish Games" from Russell Davis here ]]
[[ See "Intro To Aperol" from Audrey Saunders at Pegu Club here ]]
Friday, 24 February 2012
The Toronto Cocktail
So, here we are at the end of Fernet February. Some of you might be saying "thank god," but I learned a lot about balancing powerful flavours, and it's been a ton of fun touring around Vancouver tasting new originals. It's also been fun seeing how excited so many skilled barmen, barwomen, and mixologists (whatever they prefer) are about Fernet as an ingredient. Out of the 10 bars in this series, 5 of them wanted to contribute because they "love Fernet."
I really hope to do another one of these series in an upcoming month, so please if you're reading, look to the top right of this blog page and vote on what ingredient you'd like to see in the next series!!
We'll cap things off with a classic cocktail, this time hailing from New York in the late 1940' - The Toronto.
[[ I am editing this a few month's later now to make some historical clarifications. At Tales of the Cocktail this year (2012), four B.C. bartenders will be presenting on four Canadian cocktails - The Caesar, The Vancouver, The Hotel Georgia, and The Toronto. This prompted me to track down who was working on it and engage in a little discussion being of the mind that it is not a Canadian drink. The man presenting it, the man behind the bar at Clive's Classic Lounge in Victoria, Shawn Soole, gave me some great info:
- David Embury's publication does call for "Canadian Whisky," when I was under the impression that it called for simply "rye whiskey," which in 1940's New York would have meant straight American rye.
- Shawn informed me that the Italian population boomed in Toronto in the 1920's, and of course they would have brought things like amaro with them - to which I argued that the same happened in New York quite a while before that, and that there was also an influx of Canadian whisky to New York in the 1920's (Prohibition), so nothing can be pinpointed here. This could just as easily explain Embury's recipe being from New York as him finding it via Toronto.
Here's what ultimately finishes the debate:
- Shawn and Solomon Siegel tracked down the 1922 publication of "Cocktails and How To Mix Them," finding mention of a "Fernet Cocktail," with Cognac or rye whiskey, Fernet, gum syrup or sugar, and Angostura bitters, with a lemon peel garnish. Underneath the recipe is written "this cocktail is much appreciated by the Canadians of Toronto." Being a good twenty years earlier than Embury's book, this is definitely the winning argument in naming the Toronto as a Canadian cocktail. Interesting, though, that Cognac is listed first, with the suggestion of just "rye whiskey," which brings me right back to my original thought that the intention was not to use Canadian whisky. Robert Vermeire, the book's author, is from London and published his book there, so the use of the word "rye" would likely be the American one (i.e., actual rye grain whiskey, and not just Canadian whisky). Regardless, the earliest mention says it's from Toronto, so I'm proud to say that we Canadians can claim a great cocktail.
In terms of how to make it, if it was made in 1920's downtown Toronto, Gooderham and Wort would have most likely been the Canadian whisky used, which Shawn calls a "big, ballsy, old-school whisky." Today, he recommends Forty Creek. I always lean to American whiskey, and the best one I've had is with Rittenhouse Bonded straight rye, so that is my recommendation.
Please enjoy the rest of this unedited post, but take it with a grain of salt given this new information. Cheers! ]]
So, the drink itself seems to have no particular history that I can find. No exciting story, no explanation behind the name. The first record of the Toronto is in the first publication of David Embury's cocktail book in 1948. Embury was an American attourney, but also a humble and very skilled and knowledgeable barman. His book "The Fine Art Of Mixing Drinks" is very influential even today for its basic categorization of drink types, ratios, and "rules." Cocktails are either aromatic or sour, and ingredients are either the base, the modifying agent, or the flavouring/colouring agent. He stated the general sour ratio of 1:2:8 for sweet:sour:base, which I discussed previously in the Sidecar post. His basic principles, and list of basic drinks set a solid framework for any future bartender to experiment, and his book is one of the quintessential bartending tomes, along with those of Harry Craddock and Jerry Thomas.

The Toronto Cocktail
2oz American Straight Rye Whiskey
1/4oz simple syrup
1/2oz Fernet Branca
2 dashes Angostura Bitters
Combine ingredients, add ice, stir, strain into a cocktail glass and garnish with a lemon or orange zest. The orange might make the drink a little too sweet, especially if you added anything more than 1/4 of the syrup or Fernet. This is a difficult one to balance, so make sure you stir for a long time and taste until you find the right amount of dilution. Don't overdo the Fernet or you'll ruin the drink.
The Toronto is yet another variation on a classic - The Manhattan - in which the sweetening agent, vermouth, is replaced with a touch of simple syrup and a touch of the amaro Fernet, which in turn acts as a bittering agent with the Angostura. It's a very densely flavoured drink, and works extremely well with American rye (I wouldn't suggest making it without American whiskey, Canadian is just too subdued to keep pace with the Fernet). Jamie Boudreau claims to have discovered this drink in recent times, and you can see it popping up at craft cocktail bars all over the place. Sadly, you never would have found the "Toronto" in Canada, and you still may be challenged to find a place that makes it properly with real rye. Nonetheless, without a specific history, late 1940's New York is definitely an exciting time.
The 40's were obviously shadowed by the events of WWII, and the United States saw a small exodus of European artists and intellectuals who fled to the new world. Wartime brought rationing, scrap drives for raw materials, and homeland internment camps for Japanese suspected of being loyal to their country. The war did have its positives economically, however, and afterwards the effects of the Great Depression lessened. The number of women in the workforce increased dramatically to replace the number of men who left to serve overseas, "African Americans" began to fight for proper status, eductation increased, and social paradigms began to shift.
Medicine, science, and politics all began to change for the better, as penicillin (the first antibiotic) was invented, "coloured" people were approved to vote by the Supreme Court, unemployment dropped from 25% in the 1930's to 6%, and life expectancy increased. To put this era in an interesting perspective for us in the modern age, though, the U.S. population hit 132 million, the average salary was $1300 per year, only 55% of homes had indoor plumbing, and the average life expectancy - while rising - was still in the 60's. Commercial television hit the public in 1947, and the first computers were developed.
I'm going to talk a little extra about music this time because it's a period with which I am particularly enamoured...
American music went through huge leaps in evolution in the first half of the 20th century, particularly in what is arguably its greatest export - jazz. We briefly visited Chicago in the 1920's and discussed Louis Armstrong's influence on popular music and jazz, and in the time since swing boomed in the 1930's and jazz became a musical mainstay on radio and in American homes. The late 1930's saw ridiculously talented and young musicians like Charlie Parker, Dizzy Golespie, and Thelonius Monk were pushing the boundaries of improvisation and creating bebop, which was a fast, furious, and highly improvisational form of jazz that, like early swing, shaped music to come. Once the U.S. became involved in WWII, the American Federation of Musicians had a strike against major recording companies for royalties, which was a big factor in not only the death of swing, but also jazz and bebop becoming a more underground and mysterious city movement. By the mid 40's, Miles Davis made his way to New York to play with Parker, but the latter's debilitating drug problems forced Miles to form his own band with Gerry Mulligan and Max Roach with Gil Evans in an advisory position, and started experimenting - as he always did - on the very outskirts of what was to come in music. Miles took all the elements from bebop jazz, which was by no means waning, and put his own spin on things by incorporating polyphony and even more free and loose improvisation that used more empty space and longer notes. The recordings from his nonet from 1948-1950 are considered the first and most influential of the subsequent period of jazz known as "cool." So far ahead of his time was Miles that these recordings weren't even fully released together until almost 10 years later, at which point cool jazz had become popular and made its way to the west coast with Gerry Mulligan and Chet Baker.
So, this piece is more complicated and not pop as have been all my previous musical accompaniments, but it just wouldn't seem right to post a cocktail from 1948 New York without tipping my hat to Miles.
(If you notice the "1957" in the title, just remember that's when "The Birth Of The Cool" was released, but it was recorded in 1949).
[[ Photography from the New York Times (street), Life Magazine (women), Jamie Boudreau (cocktail) and - no joke - Stanley Kubrick (single woman) from his early days as a photographer ]]
I really hope to do another one of these series in an upcoming month, so please if you're reading, look to the top right of this blog page and vote on what ingredient you'd like to see in the next series!!
[[ I am editing this a few month's later now to make some historical clarifications. At Tales of the Cocktail this year (2012), four B.C. bartenders will be presenting on four Canadian cocktails - The Caesar, The Vancouver, The Hotel Georgia, and The Toronto. This prompted me to track down who was working on it and engage in a little discussion being of the mind that it is not a Canadian drink. The man presenting it, the man behind the bar at Clive's Classic Lounge in Victoria, Shawn Soole, gave me some great info:
- David Embury's publication does call for "Canadian Whisky," when I was under the impression that it called for simply "rye whiskey," which in 1940's New York would have meant straight American rye.
- Shawn informed me that the Italian population boomed in Toronto in the 1920's, and of course they would have brought things like amaro with them - to which I argued that the same happened in New York quite a while before that, and that there was also an influx of Canadian whisky to New York in the 1920's (Prohibition), so nothing can be pinpointed here. This could just as easily explain Embury's recipe being from New York as him finding it via Toronto.
Here's what ultimately finishes the debate:
- Shawn and Solomon Siegel tracked down the 1922 publication of "Cocktails and How To Mix Them," finding mention of a "Fernet Cocktail," with Cognac or rye whiskey, Fernet, gum syrup or sugar, and Angostura bitters, with a lemon peel garnish. Underneath the recipe is written "this cocktail is much appreciated by the Canadians of Toronto." Being a good twenty years earlier than Embury's book, this is definitely the winning argument in naming the Toronto as a Canadian cocktail. Interesting, though, that Cognac is listed first, with the suggestion of just "rye whiskey," which brings me right back to my original thought that the intention was not to use Canadian whisky. Robert Vermeire, the book's author, is from London and published his book there, so the use of the word "rye" would likely be the American one (i.e., actual rye grain whiskey, and not just Canadian whisky). Regardless, the earliest mention says it's from Toronto, so I'm proud to say that we Canadians can claim a great cocktail.
In terms of how to make it, if it was made in 1920's downtown Toronto, Gooderham and Wort would have most likely been the Canadian whisky used, which Shawn calls a "big, ballsy, old-school whisky." Today, he recommends Forty Creek. I always lean to American whiskey, and the best one I've had is with Rittenhouse Bonded straight rye, so that is my recommendation.
Please enjoy the rest of this unedited post, but take it with a grain of salt given this new information. Cheers! ]]
So, the drink itself seems to have no particular history that I can find. No exciting story, no explanation behind the name. The first record of the Toronto is in the first publication of David Embury's cocktail book in 1948. Embury was an American attourney, but also a humble and very skilled and knowledgeable barman. His book "The Fine Art Of Mixing Drinks" is very influential even today for its basic categorization of drink types, ratios, and "rules." Cocktails are either aromatic or sour, and ingredients are either the base, the modifying agent, or the flavouring/colouring agent. He stated the general sour ratio of 1:2:8 for sweet:sour:base, which I discussed previously in the Sidecar post. His basic principles, and list of basic drinks set a solid framework for any future bartender to experiment, and his book is one of the quintessential bartending tomes, along with those of Harry Craddock and Jerry Thomas.

The Toronto Cocktail
2oz American Straight Rye Whiskey
1/4oz simple syrup
1/2oz Fernet Branca
2 dashes Angostura Bitters
Combine ingredients, add ice, stir, strain into a cocktail glass and garnish with a lemon or orange zest. The orange might make the drink a little too sweet, especially if you added anything more than 1/4 of the syrup or Fernet. This is a difficult one to balance, so make sure you stir for a long time and taste until you find the right amount of dilution. Don't overdo the Fernet or you'll ruin the drink.
The Toronto is yet another variation on a classic - The Manhattan - in which the sweetening agent, vermouth, is replaced with a touch of simple syrup and a touch of the amaro Fernet, which in turn acts as a bittering agent with the Angostura. It's a very densely flavoured drink, and works extremely well with American rye (I wouldn't suggest making it without American whiskey, Canadian is just too subdued to keep pace with the Fernet). Jamie Boudreau claims to have discovered this drink in recent times, and you can see it popping up at craft cocktail bars all over the place. Sadly, you never would have found the "Toronto" in Canada, and you still may be challenged to find a place that makes it properly with real rye. Nonetheless, without a specific history, late 1940's New York is definitely an exciting time.
The 40's were obviously shadowed by the events of WWII, and the United States saw a small exodus of European artists and intellectuals who fled to the new world. Wartime brought rationing, scrap drives for raw materials, and homeland internment camps for Japanese suspected of being loyal to their country. The war did have its positives economically, however, and afterwards the effects of the Great Depression lessened. The number of women in the workforce increased dramatically to replace the number of men who left to serve overseas, "African Americans" began to fight for proper status, eductation increased, and social paradigms began to shift.
Medicine, science, and politics all began to change for the better, as penicillin (the first antibiotic) was invented, "coloured" people were approved to vote by the Supreme Court, unemployment dropped from 25% in the 1930's to 6%, and life expectancy increased. To put this era in an interesting perspective for us in the modern age, though, the U.S. population hit 132 million, the average salary was $1300 per year, only 55% of homes had indoor plumbing, and the average life expectancy - while rising - was still in the 60's. Commercial television hit the public in 1947, and the first computers were developed.
I'm going to talk a little extra about music this time because it's a period with which I am particularly enamoured...
American music went through huge leaps in evolution in the first half of the 20th century, particularly in what is arguably its greatest export - jazz. We briefly visited Chicago in the 1920's and discussed Louis Armstrong's influence on popular music and jazz, and in the time since swing boomed in the 1930's and jazz became a musical mainstay on radio and in American homes. The late 1930's saw ridiculously talented and young musicians like Charlie Parker, Dizzy Golespie, and Thelonius Monk were pushing the boundaries of improvisation and creating bebop, which was a fast, furious, and highly improvisational form of jazz that, like early swing, shaped music to come. Once the U.S. became involved in WWII, the American Federation of Musicians had a strike against major recording companies for royalties, which was a big factor in not only the death of swing, but also jazz and bebop becoming a more underground and mysterious city movement. By the mid 40's, Miles Davis made his way to New York to play with Parker, but the latter's debilitating drug problems forced Miles to form his own band with Gerry Mulligan and Max Roach with Gil Evans in an advisory position, and started experimenting - as he always did - on the very outskirts of what was to come in music. Miles took all the elements from bebop jazz, which was by no means waning, and put his own spin on things by incorporating polyphony and even more free and loose improvisation that used more empty space and longer notes. The recordings from his nonet from 1948-1950 are considered the first and most influential of the subsequent period of jazz known as "cool." So far ahead of his time was Miles that these recordings weren't even fully released together until almost 10 years later, at which point cool jazz had become popular and made its way to the west coast with Gerry Mulligan and Chet Baker.So, this piece is more complicated and not pop as have been all my previous musical accompaniments, but it just wouldn't seem right to post a cocktail from 1948 New York without tipping my hat to Miles.
(If you notice the "1957" in the title, just remember that's when "The Birth Of The Cool" was released, but it was recorded in 1949).
[[ Photography from the New York Times (street), Life Magazine (women), Jamie Boudreau (cocktail) and - no joke - Stanley Kubrick (single woman) from his early days as a photographer ]]
Thursday, 2 February 2012
A Beginner's Guide To Whiskey/Whisky Part 2: Types Of Whiskey And Terminology
Now let's look at some whisky/whiskey definitions of the kinds you'll generally see around. The North American whiskies are defined by law only in North America (so someone in Japan could make a whisky out of rice and call it "bourbon" unfortunately), whereas the laws for Irish Whisky and Scotch are strict throughout most of the world. (Whiskies are made everywhere, including Australia and Japan, but I'm only going to look at the most popular and important ones. It should also be noted that I am in some cases paraphrasing the governing laws, and should you want more details please check out my ongoing guides on individual spirits).

American Whiskey
Rye
- must contain at least 51% rye
- is distilled to no more than 80% alcohol
- agged in charred, new oak barrels at no more than 62.5% alcohol
- if aged for at least 2 years, it can be called "straight"
- has a spicier, drier taste than other whiskies
- must be bottled at no lower than 40% alcohol
Bourbon
- must be made in the US from at least 51% corn.
- aged in charred oak barrels
- distilled to no more than 80% alcohol
- put into the barrel at no more than 62.5% alcohol
- bottled at no lower than 40% alcohol
- if the above requirements are met and the bourbon is aged for at least 2 years and contains no additives, it can be called "straight"
- has a sweeter, smoother taste than other whiskies
Tennessee
- follows all laws applying to Bourbon, but must be made in Tennessee (the makers insist it's a different kind of whiskey). These are often filtered through maple charcoal before being barrelled, which is one of the reasons some companies claim it's different than bourbon.
Corn
- must be made from at least 80% corn.
- must be bottled at no lower than 40% alcohol
- sometimes aged, sometimes not. This is the typical "moonshine" of old.
- a generally harsh tasting kind of whisky (because it's not usually aged), and quite literally has a "gym socks" character to it. That sounds terrible, but it's actually interesting.
Canadian Whisky
This is the tricky (and stupid) one. Canadian whisky is almost always called "Canadian Rye Whisky" or just "rye." This is stupid because there are no laws dictating what is actually used to make the whisky, and most of the time Canadian whiskies contain no rye at all. Most of them are blended, made mostly from corn, have subtle and smooth (and usually boring) flavours. Brian Grant at Pourhouse described it perfect once by saying that a Canadian Whisky is like a Canadian, it's subdued, polite, quiet, and doesn't often make its presence known. That's fine for a person, but a waste of time for a spirit in my opinion. It should be noted that there are no laws involving mash or additives, so Canadian whisky can contain caramel colouring, flavourings, and any neutral spirits and not necessarily straight whiskies. Like tequila, buying cheap Canadian whisky is a bad idea for your taste buds and your hangover.
Of course, as with everything, there are a couple that are good (Alberta Springs 10 Year Old or Forty Creek are pretty good, and Alberta Premium is boring but not BAD).
Here are the only laws:
- must be made in Canada
- must be aged in new, charred oak barrels for at least 3 years
- must be bottled at no lower than 40% alcohol
Irish
- must be distilled and aged in Ireland
- distilled to no higher than 94.8% alcohol from a yeast-fermented mash of grains "in such a way that the distillate has an aroma and flavour derived from the materials used"
- must be aged for at least 3 years in wooden casks
- Irish whisky has a very malty flavour that tends to be much sweeter and lighter than most Scotch
Scotch
- must be produced at a distillery in Scotland from water and malted barley
- processed at that distillery into a mash, converted, fermented only with yeast
- distilled to no higher than 94.8% alcohol from a yeast-fermented mash of grains "in such a way that the distillate has an aroma and flavour derived from the materials used"
- aged in Scotland in oak casks for at least 3 years
- must be bottled at no lower than 40% alcohol
- must contain no additives other than water and caramel colouring
- Scotch has a huge range of flavours depending on where it's made. The malted barley is dried over a peat fire, and because of this most Scotches have a smokey character, some of them dramatically so. Some areas produce heavy, thick, leather, smoke, and tobacco flavours (like Ardbeg), whereas other regions produce softer, smoother Scotches with apple, pear, and soft malt flavours (like Glenfiddich).
General Terminology
Here are some terms you might hear or read on bottles:
Blended - if it's a blended malt, this means that it's a mixture of whiskies from several different distillleries but only contains one kind of grain. If it's just a blended whiskey, it means it's made from a mixture of grains and from a mixture of distilleries, and on top of that will often contain caramel, colours, and sometimes flavours. Unless stated otherwise, most whiskies are blends (which also means they're usually not very good). Most big name brands are blended, such as Canadian Club.
Single Malt - this means the whiskey is made at a single distillery from a mash that contains only one kind of malted grain. This usually only applies to Scotch and Irish whiskies.
Mash Bill - this is the name given to the mixture of grains that is fermenting. So a bourbon mash bill may contain 70% corn, 20% rye, and 10% barley.
Content - sometimes you'll hear someone say something like "Bulleit bourbon has a high rye content." This means that the mash bill, or mixture of fermenting grains, has a higher than usual amount of rye grain, which will have an effect on the flavour.
Next time I visit this series we'll look at some good, affordable brands to pick up for your home bar or fancy ones to try in your favourite bar on the town. This is a huge topic, obviously, so I'll be separating them by type of whiskey.
To see the introduction to whiskey/whisky, click here!
And click on "guides" on the right side of this page to see similar posts on everything from bourbon, gin, and tequila to vermouth and quinquinas.

American Whiskey
Rye
- must contain at least 51% rye
- is distilled to no more than 80% alcohol
- agged in charred, new oak barrels at no more than 62.5% alcohol
- if aged for at least 2 years, it can be called "straight"
- has a spicier, drier taste than other whiskies
- must be bottled at no lower than 40% alcohol
Bourbon
- must be made in the US from at least 51% corn.- aged in charred oak barrels
- distilled to no more than 80% alcohol
- put into the barrel at no more than 62.5% alcohol
- bottled at no lower than 40% alcohol
- if the above requirements are met and the bourbon is aged for at least 2 years and contains no additives, it can be called "straight"
- has a sweeter, smoother taste than other whiskies
Tennessee
- follows all laws applying to Bourbon, but must be made in Tennessee (the makers insist it's a different kind of whiskey). These are often filtered through maple charcoal before being barrelled, which is one of the reasons some companies claim it's different than bourbon.Corn
- must be made from at least 80% corn.
- must be bottled at no lower than 40% alcohol
- sometimes aged, sometimes not. This is the typical "moonshine" of old.
- a generally harsh tasting kind of whisky (because it's not usually aged), and quite literally has a "gym socks" character to it. That sounds terrible, but it's actually interesting.
Canadian Whisky
This is the tricky (and stupid) one. Canadian whisky is almost always called "Canadian Rye Whisky" or just "rye." This is stupid because there are no laws dictating what is actually used to make the whisky, and most of the time Canadian whiskies contain no rye at all. Most of them are blended, made mostly from corn, have subtle and smooth (and usually boring) flavours. Brian Grant at Pourhouse described it perfect once by saying that a Canadian Whisky is like a Canadian, it's subdued, polite, quiet, and doesn't often make its presence known. That's fine for a person, but a waste of time for a spirit in my opinion. It should be noted that there are no laws involving mash or additives, so Canadian whisky can contain caramel colouring, flavourings, and any neutral spirits and not necessarily straight whiskies. Like tequila, buying cheap Canadian whisky is a bad idea for your taste buds and your hangover. Of course, as with everything, there are a couple that are good (Alberta Springs 10 Year Old or Forty Creek are pretty good, and Alberta Premium is boring but not BAD).
Here are the only laws:
- must be made in Canada
- must be aged in new, charred oak barrels for at least 3 years
- must be bottled at no lower than 40% alcohol
Irish- must be distilled and aged in Ireland
- distilled to no higher than 94.8% alcohol from a yeast-fermented mash of grains "in such a way that the distillate has an aroma and flavour derived from the materials used"
- must be aged for at least 3 years in wooden casks
- Irish whisky has a very malty flavour that tends to be much sweeter and lighter than most Scotch
Scotch
- must be produced at a distillery in Scotland from water and malted barley
- processed at that distillery into a mash, converted, fermented only with yeast
- distilled to no higher than 94.8% alcohol from a yeast-fermented mash of grains "in such a way that the distillate has an aroma and flavour derived from the materials used"
- aged in Scotland in oak casks for at least 3 years
- must be bottled at no lower than 40% alcohol
- must contain no additives other than water and caramel colouring
- Scotch has a huge range of flavours depending on where it's made. The malted barley is dried over a peat fire, and because of this most Scotches have a smokey character, some of them dramatically so. Some areas produce heavy, thick, leather, smoke, and tobacco flavours (like Ardbeg), whereas other regions produce softer, smoother Scotches with apple, pear, and soft malt flavours (like Glenfiddich). General Terminology
Here are some terms you might hear or read on bottles:
Blended - if it's a blended malt, this means that it's a mixture of whiskies from several different distillleries but only contains one kind of grain. If it's just a blended whiskey, it means it's made from a mixture of grains and from a mixture of distilleries, and on top of that will often contain caramel, colours, and sometimes flavours. Unless stated otherwise, most whiskies are blends (which also means they're usually not very good). Most big name brands are blended, such as Canadian Club.
Single Malt - this means the whiskey is made at a single distillery from a mash that contains only one kind of malted grain. This usually only applies to Scotch and Irish whiskies.
Mash Bill - this is the name given to the mixture of grains that is fermenting. So a bourbon mash bill may contain 70% corn, 20% rye, and 10% barley.
Content - sometimes you'll hear someone say something like "Bulleit bourbon has a high rye content." This means that the mash bill, or mixture of fermenting grains, has a higher than usual amount of rye grain, which will have an effect on the flavour.
Next time I visit this series we'll look at some good, affordable brands to pick up for your home bar or fancy ones to try in your favourite bar on the town. This is a huge topic, obviously, so I'll be separating them by type of whiskey.
To see the introduction to whiskey/whisky, click here!
And click on "guides" on the right side of this page to see similar posts on everything from bourbon, gin, and tequila to vermouth and quinquinas.
Wednesday, 9 November 2011
The Red Hook
I'm going to mix it up (like my pun?) today and go with a very modern drink.
I'm doing this in honour of one person in particular - Darcy James Argue. He is an acquaintance of mine who is the composer behind the fantastic 'steam-punk' modern big band, Secret Society.
They are currently doing a performance at the Brooklyn Academy of Music tied in with animation and live painting by graphic novelist, Danijel Zezelj. It looks amazing, and I'm very sad I won't get to see it (unless there's some sort of video release?? *crosses fingers*)
Here is the NY Times online article.
I had the pleasure of seeing Darcy James Argue's Secret Society when they played the Vogue Theater in Vancouver, and it was quite a mind-blowing show. Darcy's compositions are so dynamic and fluid and the musicians he has in the band are fantastic. I encourage you to pick up a copy of the album, which is on ITunes or at HMV.
You can also check out some of the music online here.
So in honour of what he's doing in New York right now, I'm going to share one of my favourite whiskey cocktails - The Red Hook, named after the NYC neighbourhood, as many cocktails are (the Manhattan, The Brooklyn, The Bronx, The Bensonhurst, etc).
The Drink
The Red Hook is a variation on the Manhattan, or moreso, a variation on the Brooklyn cocktail, which is whiskey with maraschino, dry vermouth, and Amer Picon (unfortunately impossible to find - the only place I've seen it in Vancouver is at Boneta, where one of the bartenders had his dad send it over from France). The Brooklyn is a real treat and a real classic, dating back to before the 1920's. There are some very delicious and interesting modern variations in which bartenders are experimenting with the bitter component and the vermouth component (a Manhattan being whiskey, sweet vermouth, and Angostura bitters), using an amaro or even Chartreuse to mix things up.
The Red Hook was invented at the New York bar "Milk and Honey" in 2004 as a modern answer to the Brooklyn. While it's only three ingredients, each one balances the other so well that it's actually fairly complex on the palate. As with any simple drink like this, it's easy to make a mediocre one and really hard to make a perfect one, so I definitely suggest having one made by a good bartender for your first try if you can.
The drink has a whiskey base - and it's best to use American rye if you can, but that's no easy feat for us up here - with Punt e Mes sweet vermouth to balance, and Maraschino liqueur to modify.
As for the name, Red Hook is a neighbourhood in Brooklyn, NY, that was built in the 1600's and named after the shape of the land projecting into the bay, and after the red clay soil in the area. In the 1990's it was named the "crack capital of North America," but has taken a turn for the better.
It has some very cool associations, with such dudes as Al Capone, and is the setting for an H.P Lovecraft story, the movie "On The Waterfront," and the birthplace of Captain America.
The Recipe
2oz whiskey
1/2oz Punt e Mes
1/4oz Maraschino liqueur
Stir in a mixing glass or container with ice and strain into a cocktail glass. Garnish with a cherry (or a lemon twist will bring out a nice flavour as well).
I stress diluting simple and strong drinks like this because it really helps to balance the flavours. If it isn't tasting right, add whiskey to balance, not the other ingredients.
The Ingredients
So, what is Punt e Mes? It's an Italian (sweet/red) vermouth made originally by the Carpano family, who were behind the first real Italian vermouth recipe, Carpano Antica (which is incredibly good and complex, but runs about $90 per bottle in Canada - if you can find it at all).
Punt e Mes tastes quite different from other sweet vermouths in that it is, first of all, more bitter, and I would say more interesting. Because of this bitter character, though, cocktails won't balance the same with it as they will with a regular rosso, but it makes for some fun variations and experiments. There is bitter orange in there along with the very herbal vermouth flavours.
You can find it in Canada, but not in the government liquor stores. I got mine at Viti on Seymour downtown for $30 or so. If you're looking for something new and interesting, I definitely suggest getting it - even if just for making Red Hooks because they're so good.
Maraschino liqueur is integral to a lot of classic cocktails, and you need to get yourself a bottle if you're really getting into making drinks. Unfortunately, once again, you can't get it at a government liquor store, but I see it often in independent stores, such as Brewery Creek on Main Street, or the one in the Park Royal Village. It's also about $30, but will last you a long time because it's so potent so you'll only be using small amounts.
Maraschino is NOT a cherry-flavoured sugar syrup, nor does it even really taste like cherries at all. It was first made by monks in Croatia in the 16th century, namely from marasca cherries and their sprigs. It has a very unique aroma and flavour, is somewhat bitter, but being a liqueur, it's also fairly sweet.
Ok now here's the difficult part. The whiskey. This is an American drink meant to be made with American rye, and in fact, you should make most whiskey cocktails with American rye because they're delicious and interesting. The problem, possibly the most painful of our liquor problems in Canada, is how hard it is to get American rye. Finally, we're getting more brands in (just over the last year or so even), but they're really expensive. A good example is the bottle of Russell's Reserve 6 Year-Old I have on my shelf. It was a gift from my brother, and I believe he said it costs about $28 in the States. I have seen a couple bottles only very recently in our liquor stores, and it's going for $60.
Don't use Canadian whiskey. As I've said before, it's boring. Ok, there are a couple brands or batches that are good (such as Alberta Springs 10 Year Old), but they still won't offer the spice or complexity you'll get from American, and ultimately you're wasting a cocktail like this by using Canadian. I have seen good bartenders mix a bit of nice bourbon with a smooth (but boring) Canadian whiskey like Alberta Premium to give it more character while making a drink such as the Red Hook, which brings me to my solution. We can get bourbon here - affordably. So, while the drink is meant to be made with rye, if you can't get any or can't afford any, use bourbon. You can get some nice ones (Bulleit has a high rye content, but Buffalo Trace is very nice... if you're going for the cheap solution, get Wild Turkey because it also has a high rye content) from the government liquor stores.
Or take a trip down the States. You can get Old Overholdt for like $19, and it's way better than most Canadian whiskeys up here!
So, if you're interested in trying a modern cocktail with a traditional taste, I really suggest you try this one at a good bar. Go to the Pourhouse or Boneta or the Refinery and ask for a Red Hook with American rye.
This is the drink that made my lady realize that not only does she not hate whiskey, but she kind of loves it.
And lastly, a thank you to Darcy and his partner in crime, Lindsay, for putting me up in Brooklyn during my one visit to New York. Without that generosity I never would have been able to see that beautiful city. Cheers!
I'm doing this in honour of one person in particular - Darcy James Argue. He is an acquaintance of mine who is the composer behind the fantastic 'steam-punk' modern big band, Secret Society.
They are currently doing a performance at the Brooklyn Academy of Music tied in with animation and live painting by graphic novelist, Danijel Zezelj. It looks amazing, and I'm very sad I won't get to see it (unless there's some sort of video release?? *crosses fingers*)
Here is the NY Times online article.
I had the pleasure of seeing Darcy James Argue's Secret Society when they played the Vogue Theater in Vancouver, and it was quite a mind-blowing show. Darcy's compositions are so dynamic and fluid and the musicians he has in the band are fantastic. I encourage you to pick up a copy of the album, which is on ITunes or at HMV.
You can also check out some of the music online here.
So in honour of what he's doing in New York right now, I'm going to share one of my favourite whiskey cocktails - The Red Hook, named after the NYC neighbourhood, as many cocktails are (the Manhattan, The Brooklyn, The Bronx, The Bensonhurst, etc).
The Drink
The Red Hook is a variation on the Manhattan, or moreso, a variation on the Brooklyn cocktail, which is whiskey with maraschino, dry vermouth, and Amer Picon (unfortunately impossible to find - the only place I've seen it in Vancouver is at Boneta, where one of the bartenders had his dad send it over from France). The Brooklyn is a real treat and a real classic, dating back to before the 1920's. There are some very delicious and interesting modern variations in which bartenders are experimenting with the bitter component and the vermouth component (a Manhattan being whiskey, sweet vermouth, and Angostura bitters), using an amaro or even Chartreuse to mix things up.
The Red Hook was invented at the New York bar "Milk and Honey" in 2004 as a modern answer to the Brooklyn. While it's only three ingredients, each one balances the other so well that it's actually fairly complex on the palate. As with any simple drink like this, it's easy to make a mediocre one and really hard to make a perfect one, so I definitely suggest having one made by a good bartender for your first try if you can.
The drink has a whiskey base - and it's best to use American rye if you can, but that's no easy feat for us up here - with Punt e Mes sweet vermouth to balance, and Maraschino liqueur to modify.
As for the name, Red Hook is a neighbourhood in Brooklyn, NY, that was built in the 1600's and named after the shape of the land projecting into the bay, and after the red clay soil in the area. In the 1990's it was named the "crack capital of North America," but has taken a turn for the better.
It has some very cool associations, with such dudes as Al Capone, and is the setting for an H.P Lovecraft story, the movie "On The Waterfront," and the birthplace of Captain America.
The Recipe
2oz whiskey
1/2oz Punt e Mes
1/4oz Maraschino liqueur
Stir in a mixing glass or container with ice and strain into a cocktail glass. Garnish with a cherry (or a lemon twist will bring out a nice flavour as well).
I stress diluting simple and strong drinks like this because it really helps to balance the flavours. If it isn't tasting right, add whiskey to balance, not the other ingredients.
The Ingredients
So, what is Punt e Mes? It's an Italian (sweet/red) vermouth made originally by the Carpano family, who were behind the first real Italian vermouth recipe, Carpano Antica (which is incredibly good and complex, but runs about $90 per bottle in Canada - if you can find it at all).
Punt e Mes tastes quite different from other sweet vermouths in that it is, first of all, more bitter, and I would say more interesting. Because of this bitter character, though, cocktails won't balance the same with it as they will with a regular rosso, but it makes for some fun variations and experiments. There is bitter orange in there along with the very herbal vermouth flavours.
You can find it in Canada, but not in the government liquor stores. I got mine at Viti on Seymour downtown for $30 or so. If you're looking for something new and interesting, I definitely suggest getting it - even if just for making Red Hooks because they're so good.
Maraschino liqueur is integral to a lot of classic cocktails, and you need to get yourself a bottle if you're really getting into making drinks. Unfortunately, once again, you can't get it at a government liquor store, but I see it often in independent stores, such as Brewery Creek on Main Street, or the one in the Park Royal Village. It's also about $30, but will last you a long time because it's so potent so you'll only be using small amounts.
Maraschino is NOT a cherry-flavoured sugar syrup, nor does it even really taste like cherries at all. It was first made by monks in Croatia in the 16th century, namely from marasca cherries and their sprigs. It has a very unique aroma and flavour, is somewhat bitter, but being a liqueur, it's also fairly sweet.
Ok now here's the difficult part. The whiskey. This is an American drink meant to be made with American rye, and in fact, you should make most whiskey cocktails with American rye because they're delicious and interesting. The problem, possibly the most painful of our liquor problems in Canada, is how hard it is to get American rye. Finally, we're getting more brands in (just over the last year or so even), but they're really expensive. A good example is the bottle of Russell's Reserve 6 Year-Old I have on my shelf. It was a gift from my brother, and I believe he said it costs about $28 in the States. I have seen a couple bottles only very recently in our liquor stores, and it's going for $60.
Don't use Canadian whiskey. As I've said before, it's boring. Ok, there are a couple brands or batches that are good (such as Alberta Springs 10 Year Old), but they still won't offer the spice or complexity you'll get from American, and ultimately you're wasting a cocktail like this by using Canadian. I have seen good bartenders mix a bit of nice bourbon with a smooth (but boring) Canadian whiskey like Alberta Premium to give it more character while making a drink such as the Red Hook, which brings me to my solution. We can get bourbon here - affordably. So, while the drink is meant to be made with rye, if you can't get any or can't afford any, use bourbon. You can get some nice ones (Bulleit has a high rye content, but Buffalo Trace is very nice... if you're going for the cheap solution, get Wild Turkey because it also has a high rye content) from the government liquor stores.
Or take a trip down the States. You can get Old Overholdt for like $19, and it's way better than most Canadian whiskeys up here!
So, if you're interested in trying a modern cocktail with a traditional taste, I really suggest you try this one at a good bar. Go to the Pourhouse or Boneta or the Refinery and ask for a Red Hook with American rye.
This is the drink that made my lady realize that not only does she not hate whiskey, but she kind of loves it.
And lastly, a thank you to Darcy and his partner in crime, Lindsay, for putting me up in Brooklyn during my one visit to New York. Without that generosity I never would have been able to see that beautiful city. Cheers!
Labels:
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