Showing posts with label scotch. Show all posts
Showing posts with label scotch. Show all posts

Sunday, 16 February 2014

A Beginner's Guide to Scotch

Scotch is without a doubt the most complex and diverse of whiskies. Despite being geographically small, Scotland is home to over a hundred distilleries - more than the rest of the world put together (though this is likely about to change as more and more open every year). For historical, practical, legal, and geographical reasons, there are a range of flavours, aromas, and production methods involved - so many that whisky writers have overflowing websites and books with only their favourites. I felt compelled to do another whisky post just on Scotch alone. It’s a daunting prospect to enter a world of so many different great but expensive whiskies, so here are some things you should know.

How many kinds of Scotch are there?
While whisky can be separated by region, there are also some legal definitions:

Single Malt: a product of one distillery, made from only malted barley, yeast, and water.

Blended: a combination of single malt and grain whiskies from one or a number of distilleries that have been matured separately before being combined. 

Blended Malt/Vatted Malt: a blended whisky containing a mixture of only single malts from multiple distilleries. 

Grain: whisky made from one or any number of grains other than malted barley, usually by column still, and used for blending.

How is single malt made?
The most important of Scotch (not just because they’re considered the best, but because blends don’t exist without them) is the single malt. These are made by first soaking barley in water, which tricks the grain into growing. The husk breaks down as shoots are produced, giving access to the starches and enzymes within. This process is called “malting.” The growth is halted by drying out the barley using a heat source, historically by burning peat moss (giving the whisky a smoky flavour and aroma), later by coal ovens, and now usually by electric ones. The dried barley is ground into flour and mixed with hot water to remove the starches and enzymes into solution. The grains are removed, and yeast is added to convert the starches to sugars and the sugars to CO2 and alcohol. After a few days, what’s left is essentially a sour beer, which is then distilled (usually twice). The first compounds to distill not only taste bad but can be poisonous, and the last ones are unpleasant as well, so it’s the middle run that is kept. This is put into barrels and matured for a minimum of three years, usually ten to eighteen. This is where most of the flavour of the whisky is created and honed, and the end products are usually blended to achieve consistency.

What kinds of barrels are used?
There are no barrel regulations for Scotch, so you will see a range of woods being used, sometimes even on the same whisky. American or French oak, new or used, sherry or bourbon, and all manner of combinations. Over time the whisky will absorb compounds from the wood, adding flavours like vanilla, toast, butter, spice, smoke, caramel, tobacco, as well as colour. The wood also softens the alcoholic edge. Because most Scotch barrels have been previously used and are rarely toasted or charred, the absorption process tends to take longer than other types, such as American. This is why single malts are aged typically at around twelve years, whereas bourbon is aged at around half that. 

How does Scotch differ by region?
While these are generalizations, there are flavours and methods consistent with where the whisky is made. Here are the major regions and their characteristics:

Highlands: due to climate, barley is historically more difficult to grow in this region, so less whisky was produced. It was also illegal at one point to distill here, so smaller stills were both sufficient and necessary. These smaller stills allow more compounds and oils to pass through, yielding a thicker and more flavourful malt.

Lowlands: the invention of the column, or continuous still, allowed for considerably faster production. These were built first near the city ports, such as Glasgow, where there was a better climate and therefore larger supply of barley. Bigger stills mean more surface area of copper for compounds to be removed, making cleaner, lighter, and smoother spirits.

Speyside: this is technically part of the Highlands, but about two thirds of all Scottish distilleries reside here so it is considered a region of its own. Close proximity to the Spey River allow distilleries easy-access to a water supply for whisky-making. Easier production meant higher volumes, so Speyside distilleries adopted not just larger stills but faster methods of drying the barley than peat, such as coal, then oil, gas, and so on. Speyside whiskies tend to be sweet, fruity, soft, and approachable, with typically less or even no smoke. Most of the distilleries here are younger and are used for blending and don’t even sell single malts.

Campbeltown: the Mull of Kintyre was at one time the main export point to North America and had a large number of distilleries. Now there are barely a handful left and this is not considered a Scotch region as it once was.

The Islands: The invention of trains, railways, and coal-burning brought to the mainlands more efficient methods of drying barley than burning peat. The trains weren’t able to travel to the islands, however, so the traditional methods lived on and today peat is both a historical and defining characteristic of island whisky. The most prolific and famous of the islands is Islay, home to eight distilleries all producing a range of big, peaty, smoky malts.

Where should I start my single malt journey?
If you’re new to whisky, the most approachable place to start is the Lowlands or Speyside. These are approachable, soft, and often sweet-tasting whiskies. Speyside also produces the top-selling and cheapest of single malts, Glenfiddich 12 and Glenlivet 12. These are the Scotches you’ll encounter most often, but spending a little extra will get you a much warmer welcome to the party. Try the Balvenie Doublewood, Glenfiddich 15, (fruit, wood, vanilla), or Macallan 12 (fruitcake, spice, citrus, toffee). If you can spend a little more, try Aberlour A’bundah (dried fruit and spice), or the Highland options Dalwhinnie 15 (honey), and Glenmorangie Original (citrus, oak).

If you like sweeter and softer spirits like higher-priced bourbon or rum, Speyside is, again, a good start. 
If you like more rustic and harsh spirits, like cheap whiskey or big-bodied bourbons, try some Highland malts from Dalmore (wood, cocoa, citrus), or Oban (honey, peat, dried fruit). Also look into some non-Islay island whiskies, such as Highland Park 12 (honey, oak, fruit, spice, peat) or 18 (amazing balance of everything Scotch).

If you are adventurous and like the idea of drinking smoke, or if you like a good mezcal, try the Island whiskies. If smoky spirits are new to you, start with Arran 10 (butterscotch, mint, fruit), or one of my favourites, Talisker 10 (pepper, cocoa, oak), which have more balanced levels of peat. If you want to jump into the peatiest, Lagavulin 12 (citrus, smoke) and Bowmore 12 (seasalt, fruit, spice, smoke) to start and if you’re ready for that slap to the face of brine, medicine, and smoke, try Ardbeg 10, Bruichladdich 10 or 16, and Laphroaig Quarter Cask.

Like any spirit, be wary of heavy marketing and trust whisky writers, bartenders, and your own research. Higher price-points don’t signify higher quality.

Should I try some blends?
Absolutely, but be warned that there is a lack of regulation on them, so on average you’re getting lower quality products. The worst blend is an astounding difference from the worst single malt. You often get what you pay for, so avoid anything cheap. BlackGrouse is a fine cheap blend, while Johnnie Walker Gold, or Compass Box are fine choices at higher cost. However, at this point you could arguably spend the same amount to get a great single malt. The blend experience can be just as rewarding, but because there is a quality risk, I suggest starting your adventure with single malts and doing research before spending too much on a blend. If you’re new to Scotch, avoid cheap blends at all costs and don’t make any rash judgments because of them.

For tips on how to enjoy your whisky, see the previous post - but I highly recommend you don’t add anything but distilled water. Considering the cheapest single malts are $55 (in B.C. where I’m from anyway), it’s not worth it to remove any flavour by means of ice and (god forbid) soda. I also recommend finding local Scotch tastings, which happen more than you realize and many are free. This is a great opportunity to find out what you like and don’t like without making any financial commitments. 

Cheers!
[originally published on www.shakestir.com]

Thursday, 20 December 2012

Winter Cocktails: Teardrop Lounge in Portland

Portland will be making its first appearance on this site today! Having finally been able to visit for my first time this year, I was blown away by the amount of great food and drink available (and also by the number of strip clubs, but that's not really relevant). The cocktails were consistently great, as was the coffee, and of course the prices (no tax is as fun as you think). Taking a tour down Distillery Road and seeing the impressive number of great spirits being made in one city was also exciting. House Spirits Distillery stood out to me in particular, with Krogstad aquavit and Aviation gin, and their delicious and fresh-tasting coffee liqueur. The number of high quality bars in the city is exciting as well, with Clyde Common, Kask, Rum Club, Beaker & Flask, The Driftwood Room, and Teardrop Lounge - just to name a few. It is with great pleasure that I am able to share some holiday drink recipes from the most latter of these names, one of the best bars in the U.S., the Teardrop Lounge.

Teardrop has an amazing program with a focus on fresh and high-quality ingredients, adopting as they say the "Golden Rule of the kitchen: the finished product relies entirely upon the quality of source ingredients." Their
diverse menu has a nice collection of original drinks, obscure classics, and those made by friends in other renowned bars. Each of the three menus offer a punch for the table, an excellent and fun way to start your drinking evening.

Bartender and co-owner Daniel Shoemaker has graciously contributed a total of four holiday drinks along with recipes. I will separate these into two separate posts for easier absorption.

First up is the Long Time Coming, a pisco-based cocktail with three house-made ingredients: a cherry digestif, a port redux, and truffle bitters. Daniel shares his recipes for each of these ingredients below, and I hope you find them as creatively inspiring as I do!
Following that is the Humble Pie, a mix of blended Scotch and applejack with Christmas spice flavours like pimento, ginger, and peppercorn.

Long Time Coming
2 oz Campo de Encanto pisco
¾ oz Cherry Digestif*
½ oz Port Reduction*
8 drops Truffle bitters*

Stir with ice, strain into a chilled cocktail glass.  
No garnish.  

*Cherry Digestif
8 Quart cherry pits, topped with GNS, stored in cool place for 1 month, agitated daily.  Strain, add:
40 g dandelion root, toasted                                                
15 g gentian, toasted
40 g cedar chips, toasted                                    
8 g rhubarb root, toasted
40 g dong quoi                                                            
3 g horehound
15 g Cherry Bark                   
Steep all ingredients for an additional 24-36 hours.  
Strain, bottle.

*Port Redux
750ml Ruby port
1/4 oz cane sugar
6 cloves
2 star anise
15 green cardamom pods
1 Indonesian cinnamon sticks, crushed
Bring all ingredients to a light simmer, stirring occasionally until total liquid has reduced by 1/3.  
Allow to cool to room temperature, strain & bottle.

*Truffle Bitters
1 lb unsalted butter
½ oz Oregon black truffles
2 – 750 ml high-proof rye
½ cup toasted quassia
1/8 cup rose hips
1/8 cup sweet orange peel
1 tablespoon grains of paradise
1 tablespoon angelica
1 teaspoon fennel seed
1 teaspoon cumin seed
Clarify butter in heavy-bottomed saucepan at low heat for 1 hour.  Remove from heat, pour over thinly sliced truffles.  Let steep for 1 hour.  Strain through sieve into large, non-reactive container.  Pour rye in with butter, let steep airtight for 6 weeks. Freeze overnight to let separate. Strain off butter & all solids, returning rye to container. Add rose hips, orange peel, & qussia. Let steep for 10 days.  Add remaining spices & seasonings, let steep for 3 more days. Strain, add 1 tablespoon caramelized sugar syrup. Pour through funnel into oak barrel (treated with fine sherry for previous 6 weeks). Let age for 3 months. Strain, filter through brita filter & bottle.

Humble Pie
1 oz Laird's bonded applejack
1 oz Famous Grouse blended scotch
1/4 oz ginger syrup (2:1)
1 teaspoon rich demerara syrup (2:1)
4 dashes pimento dram
1 dash Angostura bitters
2 grinds black peppercorn
Candied ginger
Stir all ingredients with ice, strain over a large ice cube in a  rocks glass.  
Garnish with a piece of candied ginger on a small skewer. 


Stay tuned later tonight for two more holiday recipes from the Teardrop Lounge!


More Holiday Drinks!
[[ Teardrop Lounge Part 2 ]]

Friday, 14 December 2012

Winter Cocktails: "Gold," "Frankincense," and "Myrrh" by Trevor Kallies in Vancouver

There are a lot of newcomers to the site this month, and today I have the pleasure of sharing three drinks from a Vancouver veteran. Trevor Kallies is currently the bar and beverage director for the Donnelly Group, owners of sixteen bars, nightclubs, pubs, and barber shops in the city. He is an award-winning bartender and also a director and founding member of the Canadian Professional Bartenders Association. 

Trevor is graciously sharing recipes for three holiday drinks he's been working on, all festively named and all using a Kale & Nori Bittered Sling Extract, a line of bitters created by local chef and mixologist team Jonathan Chovancek and Lauren Mote.

Gold
1oz Jameson Irish Whiskey
1oz Benedictine
1 barspoon peach-jalapeño preserves
3 dashes Bittered Sling Plum & Rootbeer bitters

Shake ingredients with ice and strain into a cocktail glass rimmed with gold flakes. 

Frankincense
1.5oz Beefeater 24
1oz white grapefruit juice
0.5oz Yellow Chartreuse
3 dashes Bittered Sling Orange & Juniper bitters

Shake ingredients with ice and strain into a cocktail glass. Garnish with a spruce tip.







 
Myrrh
1oz Glenlivet Scotch Whisky
1oz Tio Pepe dry sherry
0.5oz Lillet
3 dashes Bittered Sling Moondog bitters

Stir ingredients with ice and strain into a cocktail glass. Garnish with mandarin orange zest layered with cranberries on a pick.  

Monday, 19 November 2012

Modern Mondays: "Chartreuse & The Chocolate Factory"

I'm always encountering new cocktail ideas, recipes, and techniques. I hope to catalogue as much as possible on this site to encourage a sense of community and in hopes that every professional and home bartender will inspire every other so we all continue to create and share. A little alliteration helps in these situations, so "Modern Mondays" seemed fitting enough for sharing new ideas. I have no intention of doing this every Monday, but a couple a month is definitely a start. Let's get to it.

We're currently in the fall limbo between Halloween and Christmas (up here anyway, I guess all you southerners still have your Thanksgiving to come), and I'm lucky to have been sent a few fall cocktails to share before I get into my upcoming Christmas series in December. These didn't make it into my series last month, but are too delicious to pass up.

The infamous and renowned David Wolowidnyk from West on South Granville in Vancouver is sharing his herbal and chocolatey sipper aptly titled "Chartreuse & The Chocolate Factory." His story behind this is simple:
"Picture the night security guard at the chocolate factory falling asleep drunk while drinking Chartreuse and eating walnuts and somehow burning the place to the ground."

Sad but delicious - my kind of drink.

Chartreuse & The Chocolate Factory

2oz Maker's Mark Bourbon infused with Cocoa Nibs
1/2oz Green Chartreuese
1/2 oz Cynar
Dash Fee's Black Walnut Bitters

Stir ingredients with ice. Strain over new ice.
Mist surface with Ardbeg 10 Year-Old Single Malt Scotch.


Wednesday, 24 October 2012

Fall Cocktails: "The Satchmo" by Simon Ogden

Next we trek across the ocean to Victoria where seasoned veteran and CPBA Vice-President Simon Ogden at the Veneto Tapa Lounge shares his rendition of fall, employing spice, fruit, and smoke.

Simon explains:  "Named in honour of the great Jazzman, this cocktail is what I imagine Louis Armstrong's voice tastes like. Honey and smoke, with autumnal bitters providing the bass notes. A twist on the classic whiskey sour."

The Satchmo

2oz Black Grouse Scotch
1 oz lemon juice
3/4 oz honey syrup
3/4 oz egg white
4-5 dashes Apple and Cinnamon bitters

Shaken thoroughly and strained into a chilled glass. Finished with a spritz of Ardbeg.


Honey Syrup: 
boil equal parts water and liquid honey until dissolved.

Apple & Cinnamon Bitters: 

B.C. Gala apples and broken cinnamon bark with lemon peel, cardamom, cloves, gentian root, and star anise all steeped in whiskey.

Later this month as part of the fall series I will be offering a couple recipes for bitters, including apple, so keep this on your to-make list until then.
Another great option is the "Crabapple and Cardamom" Bittered Sling Extract by Kale & Nori. Click here for a list of current retailers for their products.

Also be sure to check out Simon's previous contributions to this site:
"The Cherry Bob-omb" for Maraschino March
"Barjonesing"

We are creeping closer to Halloween and starting next post the drinks will begin to get ghoulish, bloody, and generally more scary...

The Fall Cocktail Series:
You can see the series introduction here
and more terrible Halloween cocktails here
"Death & Oranges" by Donnie Wheeler
"Jones' Bitter Aperitif" by Evelyn Chick
"Dark City" by Jay Jones
Classic Halloween Cocktails 
"The Giant Huntsman" by Lauren Mote
"The Bay Harbour Butcher" by Shaun Layton  
"A Nightmare On Juniper Street" by Shea Hogan 

[[ Photo by Simon Ogden ]]

Tuesday, 31 July 2012

Bittered Sling Extracts: Grant Sceney at the Fairmont Pacific Rim

Both the Fairmont Pacific Rim and the lead bartender in its Lobby Lounge, Grant Sceney, are new additions to Vancouver. Hailing from Melbourne, Australia, and spending two years bartending on an island in the Great Barrier Reef before calling British Columbia home, Grant has obviously picked up the craft quickly and didn't waste any time making his mark on downtown's drinking scene. With a new menu focusing on both classic and modern drinks, and implementing both barrel-aging and the Perlini carbonation system, this Fairmont is already standing out. An Aviation along with a barrel-aged Rob Roy and Bijou sit next to the Seattle-inspired carbonated Corpse Reviver #2 and Sidecar, and the originals are consistent with most of the contributors in this series having a focus on the culinary approach to mixing drinks. The "Pacific Rim Sour," is a mandarin orange-infused pisco sour with a touch of hibiscus, for example, while the "Bali Hai" features pear and thyme-infused gin and a ginseng and goji berry tincture mixed with agave, lime, and coconut water. Osmanthus and jalapeno both make infusion appearances as well, as does a Hoegaarden beer cocktail with Wiser's whisky, lemon, and honey called the "Chronicle."
Likely the most interesting of the bunch, though, is the drink Grant has chosen to share today - "Seven Days in Havana." The most sophisticated of the bunch, and likely requiring more of an experienced palate than its menu neighbours, this sipper has some complex bitter character from all of Bittered Sling Peach and Pepper extract, Angostura, and Punt e mes. The unique aspect of the drink is the barrel-aged Cointreau, which sat in a 1.5L American oak barrel for ten weeks, which not only rounds and smooths the flavour, but also pairs very nicely both in flavour and intention with the aged Havana Club rum.

Grant explains his intentions:
"I created the drink after returning from the Havana Club Grand Prix International Cocktail Competition in Havana, which I was fortunate enough to be sent to by Havana Club despite not competing. The name comes from the movie funded by the rum called "Seven Days in Havana," which is seven short stories done by seven different directors highlighting seven different days living in the city. I was in Havana for seven days myself, and using the seven-year-old rum all fits the name. The seven-year-old is the first sipping rum of their line and thus I created this sipping drink to accompany and emphasize the characteristics of an aged rum. The structure is based on that of the Vieux Carre, and each component and ingredient helps add further complexity and depth while maintaining the integrity of the rum.
Kale and Nori's Peach and Pepper bitters is the perfect addition, with the pepper playing on the spice element from the oak and the peach holding together the orange and honey notes from the Cointreau. A bouquet of flowers moves across the palate with an underlying subtle smoke and peat element carried through by the Laphroaig. The Punt e Mes maintains the body with its mild bitter being further emphasized by Angostura, and this quality is essential in balancing the mild sweetness from the Cointreau."

Seven Days in Havana

1.5 oz Havana Club 7 Year-Old Rum
0.5 oz Punt e Mes
0.33 oz barrel-aged Cointreau
2 drops Bittered Sling Peach & Pepper Extract

1 dash Angostura bitters
Laphroaig Single Malt Scotch Rinse


Stir with ice in a mixing glass, strain over rocks in a Laphroaig rinsed glass.
Garnish with a lemon twist.


If you're looking for somewhere new to try, or like me you're following a Bittered Sling treasure map throughout the city, make the Lobby Lounge in the Fairmont Pacific Rim your next stop.


See the Bittered Sling introduction here
See Dani Tatarin from The Keefer mix something up in her Chinese apothecary-style here
See Justin Taylor from Yew mix up some infused and barrel-aged spirits here
See Evelyn Chick from Uva Wine Bar make some fresh-fruit seasonal cocktails here 
See Jay Jones from Market by JG in the Shangri-La Hotel mix a spirit-forward classic-stye drink here 
See David Wolodidnyk's world-wide competition-winning cocktail here

Monday, 9 July 2012

Bittered Sling Extracts: Jay Jones at Shangri-La

Next up is a more familiar face, one of the talented veterans at the helm of the Vancouver scene, Jay Jones at Market By Jean-Georges in the Shangri-La Hotel.
You can check out some information on the man himself plus his previous contribution to the site here (from Amaro April).

Jay sticks with his typically spirit-forward and boozy style and again uses Amaro Averna, but this time incorporates a little smoke from the very peaty Ardbeg and some spice and depth from the Moondog bitters. The cocktail comes out tasting surprisingly light and soft, very balanced, and is an excellent showcase for the Don Julio Reposado.
I'll let Jay introduce his cocktail himself:


"Debuting at Bittered Sling Bistro [the bi-monthly series at Legacy Liquor Store], "The Jaguar" was designed to embrace and resound the characteristics of Don Julio Reposado Tequila, while simultaneously pairing with Chef Jonathan Chovancek's dish of pressed pork, Mayacoba beans, smokey vegetable broth, and crispy ramps. Furthermore, the use of Bittered Sling bitters was required - the range of hand-crafted extracts being the inspiration behind the event itself.
The cocktail addresses both challenges by featuring compliments and contrasts to specific tasting notes:
Averna helps create a fuller weight on the palate, while its bitter depth creates structure an earthy tones that match the beans, vegetables, and natural personality of aged Tequila. The chocolatey tastes add a decadence to the flavour experience.
The Moondog bitters provide spicy amplification to the cocktail while showcasing the Tequila's bite and the seasoning of the dish.
A finishing mist of Ardbeg Alligator single malt Scotch binds elements with an assertive waft of smoke and char - perfect for pork - and adds savoury to compliment the sweet components of the drink.
Fresh lemon oil introduces a bright aroma to invite and trim some edge appropriately from the bolder elements.  
The cocktail is named for the indigenous animal of Mexico - the jaguar is recognized as a national symbol. The sometimes black-furred jungle cat is known for its grace and power, and has a particularly powerful jaw. In tandem with the animal's impressive fangs, it is capable of piercing an alligator's hide..."

If you are lucky enough to have both a little Don Julio and some Ardbeg sitting around (or perhaps suitable substitutions), pick up some Moondog and try this bad boy at home. Otherwise, take a trip to Market and have Jay make one for you.
Cheers!

The Jaguar

1.5oz Don Julio Reposado Tequila
3/4oz Amaro Averna
4 firm dashes Bittered Sling Moondog
3 mists of Ardbeg Alligator Single Malt Scotch
Lemon peel

Combine Tequila, bitters, and Averna and stir with plenty of fresh ice cubes until well-chilled. Fine-strain into a cocktail coupe. Mist the surface of the cocktail thrice with Ardbeg Alligator, then zest thoroughly with lemon peel before wiping the rim and garnishing.







[[ Photography by Jay Jones ]]

See the Bittered Sling introduction here
See Dani Tatarin from The Keefer mix something up in her Chinese apothecary-style here
See Justin Taylor from Yew mix up some infused and barrel-aged spirits here
See Evelyn Chick from Uva Wine Bar make some fresh-fruit seasonal cocktails here 
See David Wolodidnyk's world-wide competition-winning cocktail here 
See Grant Sceney use his barrel-aged Cointreau here
See David Wolodidnyk's world-wide competition-winning cocktail here

Wednesday, 23 May 2012

What To Do With My Blended Scotch?

Please forgive my lack of writing recently, it's been busy times!

I thought I'd do a quick post on my thoughts of this bottle of blended Scotch sitting next to me. I bought some Famous Grouse on a whim as I'd never really tried mixing with it before. I've never had a blended Scotch I've enjoyed sipping, for the record. I bought it about 6 months ago and it's still three quarters full, so the verdict is that I still don't like the taste of it and I don't even like mixing with it.
I feel bad going on another shopping trip (at least until I'm in Seattle) without first getting through some of these bottles I have sitting around, so I decided to try a couple new things to make it more palatable for myself.

Here's something I came up with tonight and it's not half-bad. It's very possible that you won't like it if you actually enjoy the flavour of Famous Grouse as is, not give it a try anyway. I messed around with a blended Scotch Old-Fashioned, trying first Angostura (which I didn't like), then Bitter Truth Jerry Thomas bitters (which works quite well, but wasn't my thing), and finally Peychaud's. I find the latter works very nicely with Scotch, and I thought I'd play with flavours a little more and throw some Benedictine in there, which we know works in the Bobby Burns. I didn't want to overdo the Benedictine, and found it a little harsh in the end, so added a dash of simple syrup to balance. Done.

Try it out if you're like me and don't like the bottle of blended Scotch you have at home, but love bitters, Benedictine, and Old-Fashioned's. I don't think it's deserving of a name (plus I suck at naming drinks), so I'll leave that to your imaginations.

1.5 oz Famous Grouse
2-3 dashes of Peychaud's bitters
Dash of Benedictine (my "dash" ended up being a barspoon, which should be about 1/8oz, though I bet this would work great with even a 1/4oz)
Dash of simple syrup (again, about a barspoon)

Build Old-Fashioned-style as you see fit. I'm a little lazy at home, so I'll often throw everything in there with an ice cube, stir for a bit, then add another ice cube or two. A more proper way to do it is to start with everything but the Scotch and just one ice cube and stir for a little while. Add a little Scotch, stir some more, add an ice cube, add the rest of the Scotch, stir, add an ice cube, then finish with a final dash of bitters to really liven it up. Keeping your glass chilled beforehand makes a difference in taste and how long the drink stays cold.

Cheers!


Thursday, 2 February 2012

A Beginner's Guide To Whiskey/Whisky Part 2: Types Of Whiskey And Terminology

Now let's look at some whisky/whiskey definitions of the kinds you'll generally see around. The North American whiskies are defined by law only in North America (so someone in Japan could make a whisky out of rice and call it "bourbon" unfortunately), whereas the laws for Irish Whisky and Scotch are strict throughout most of the world. (Whiskies are made everywhere, including Australia and Japan, but I'm only going to look at the most popular and important ones. It should also be noted that I am in some cases paraphrasing the governing laws, and should you want more details please check out my ongoing guides on individual spirits).


American Whiskey 


Rye
- must contain at least 51% rye
- is distilled to no more than 80% alcohol
- agged in charred, new oak barrels at no more than 62.5% alcohol
- if aged for at least 2 years, it can be called "straight"
- has a spicier, drier taste than other whiskies
- must be bottled at no lower than 40% alcohol

Bourbon
- must be made in the US from at least 51% corn.
- aged in charred oak barrels
- distilled to no more than 80% alcohol
- put into the barrel at no more than 62.5% alcohol
- bottled at no lower than 40% alcohol
- if the above requirements are met and the bourbon is aged for at least 2 years and contains no additives, it can be called "straight"
- has a sweeter, smoother taste than other whiskies

Tennessee
- follows all laws applying to Bourbon, but must be made in Tennessee (the makers insist it's a different kind of whiskey). These are often filtered through maple charcoal before being barrelled, which is one of the reasons some companies claim it's different than bourbon.

Corn
- must be made from at least 80% corn.
- must be bottled at no lower than 40% alcohol
- sometimes aged, sometimes not. This is the typical "moonshine" of old.
- a generally harsh tasting kind of whisky (because it's not usually aged), and quite literally has a "gym socks" character to it. That sounds terrible, but it's actually interesting.

Canadian Whisky
This is the tricky (and stupid) one. Canadian whisky is almost always called "Canadian Rye Whisky" or just "rye." This is stupid because there are no laws dictating what is actually used to make the whisky, and most of the time Canadian whiskies contain no rye at all. Most of them are blended, made mostly from corn, have subtle and smooth (and usually boring) flavours. Brian Grant at Pourhouse described it perfect once by saying that a Canadian Whisky is like a Canadian, it's subdued, polite, quiet, and doesn't often make its presence known. That's fine for a person, but a waste of time for a spirit in my opinion. It should be noted that there are no laws involving mash or additives, so Canadian whisky can contain caramel colouring, flavourings, and any neutral spirits and not necessarily straight whiskies. Like tequila, buying cheap Canadian whisky is a bad idea for your taste buds and your hangover.
Of course, as with everything, there are a couple that are good (Alberta Springs 10 Year Old or Forty Creek are pretty good, and Alberta Premium is boring but not BAD).
Here are the only laws:
- must be made in Canada
- must be aged in new, charred oak barrels for at least 3 years
- must be bottled at no lower than 40% alcohol

Irish
- must be distilled and aged in Ireland
- distilled to no higher than 94.8% alcohol from a yeast-fermented mash of grains "in such a way that the distillate has an aroma and flavour derived from the materials used"
- must be aged for at least 3 years in wooden casks
- Irish whisky has a very malty flavour that tends to be much sweeter and lighter than most Scotch

Scotch

- must be produced at a distillery in Scotland from water and malted barley
- processed at that distillery into a mash, converted, fermented only with yeast
- distilled to no higher than 94.8% alcohol from a yeast-fermented mash of grains "in such a way that the distillate has an aroma and flavour derived from the materials used"
- aged in Scotland in oak casks for at least 3 years
- must be bottled at no lower than 40% alcohol
- must contain no additives other than water and caramel colouring
- Scotch has a huge range of flavours depending on where it's made. The malted barley is dried over a peat fire, and because of this most Scotches have a smokey character, some of them dramatically so. Some areas produce heavy, thick, leather, smoke, and tobacco flavours (like Ardbeg), whereas other regions produce softer, smoother Scotches with apple, pear, and soft malt flavours (like Glenfiddich).

General Terminology
Here are some terms you might hear or read on bottles:

Blended - if it's a blended malt, this means that it's a mixture of whiskies from several different distillleries but only contains one kind of grain. If it's just a blended whiskey, it means it's made from a mixture of grains and from a mixture of distilleries, and on top of that will often contain caramel, colours, and sometimes flavours. Unless stated otherwise, most whiskies are blends (which also means they're usually not very good). Most big name brands are blended, such as Canadian Club.
Single Malt - this means the whiskey is made at a single distillery from a mash that contains only one kind of malted grain. This usually only applies to Scotch and Irish whiskies.
Mash Bill - this is the name given to the mixture of grains that is fermenting. So a bourbon mash bill may contain 70% corn, 20% rye, and 10% barley.
Content - sometimes you'll hear someone say something like "Bulleit bourbon has a high rye content." This means that the mash bill, or mixture of fermenting grains, has a higher than usual amount of rye grain, which will have an effect on the flavour.

Next time I visit this series we'll look at some good, affordable brands to pick up for your home bar or fancy ones to try in your favourite bar on the town. This is a huge topic, obviously, so I'll be separating them by type of whiskey.

To see the introduction to whiskey/whisky, click here! 

And click on "guides" on the right side of this page to see similar posts on everything from bourbon, gin, and tequila to vermouth and quinquinas.

A Begginer's Guide To Whisky/Whiskey Part 1: What Is Whiskey?

So I suppose it's about time I did a post on whiskey/whisky. I've thought about it a lot but consistently put it off because it's just such a huge topic to cover. American whiskey is my favourite spirit, though, so I feel I need to get into this at some point. Here's what we'll do... we'll go over a quick history of whiskey, some quick definitions (because there are A LOT of kinds), and then at a later point cover purchasing and specific brands by focusing on one type of whiskey.
I find it interesting to know where things came from because it helps me better understand and appreciate the thing itself. If you're not like me, skip this post and move onto the types of whiskey post.
Alright, let's do this.

The History of Whisky
So distillation seems to be a bit of a tricky topic. I've had trouble tracking down exactly who/where/what/how most of this happened, but here's the general idea of what I've found. It dates back thousands of years, but the clearest of first evidence of alcohol distillation comes from Italy in the 12th century. The next mentions of it appear in Ireland, then Scotland, where grapes were scarce, so malted barley and beers were used instead. The first written record of whisky is in 1405 Ireland, where it is referred to as "aqua vitae" (water of life). Scotland continued on with this tradition, and soon enough it became part of the culture, with even children imbibing it at a young age (and it was a much harsher, cruder version than we're used to). In Gaelic, aqua vitae is "uisge breatha," and in Irish "uisce beatha." Over time this was anglicised from "uisce" to "whisky."
In the 1700's, Scotland and England were united and the taxes on whisky were hiked up, forcing the production underground and increasing its value abroad dramatically. This also lead to other countries really started to distill their own whiskeys, in particular the U.S., where grains like corn and rye were common rather than barley. Whiskey production spread and better stills were invented and further down the road laws were created to distinguish the many different kinds of whiskey being created (ones that must still strictly be followed today).
[You've probably noticed at this point that I've switched from typing "whisky" to "whiskey." "Whiskey" refers to American ones, whereas "whisky" is used for everywhere else]

So there's the brief history lesson.

How is Whiskey Made?
Every whiskey is slightly different in how it's made, but the overall concept is the same for all spirits: distillation of a fermented liquid. Grains are harvested and allowed to germinate (then called "malt"), which releases natural enzyemes that convert starches to sugars. This malt is ground up, then put into tanks with hot water (now called a "mash"), sometimes with extra enzymes, and yeast is added. The yeast converts sugars to alcohols and carbon dioxide over a few days. This mixture is basically beer. For whiskeys, the carbon dioxide is allowed to escape, and for beer it's not, which is why beer is carbonated and whiskey is not.
The 'beer' is then distilled, allowing the alcohol to be collected and the byproducts to be removed, giving about an 80% alcohol "neutral grain spirit." Water is added to lower the alcohol levels, then the mixture is put into wood barrels to age, which softens the burn and adds flavours of its own. After aging, often more water is added to reach the desired proof, and then you've got your whiskey.
If you remove the aging process, this is essentially gin or vodka. If you use a grape spirit rather than a grain one, this is essentially brandy. Spirits are all basically made the same way, but subtle differences in production make big differences in flavour. Laws were put in place to really differentiate between the spirits and production guidelines are very strict and specific.
There's the dry information for anyone like me who wants to know it all. Next time I'm going to briefly go through each major whisky type and define them.

[[ Click here for Part 2 of A Beginner's Guide to Whiskey ]]