The biggest challenge to mixing drinks
and creating original ones is balance. This is what makes one Manhattan
better than another or one drink a classic and the other forgettable.
In the big picture, this means choosing the best products and matching
presentation to flavour. In the more technical sense, this means finding
equilibrium between each ingredient to maintain a balance of flavours.
By looking at the science behind taste we can learn better ways to
balance flavour and some tricks to making better cocktails.
Traditionally the cocktail is an aperitif to be enjoyed before a meal
to whet the appetite. Yes, there are also digestifs, but these should
be balanced in a similar way. The ‘classic’ era from which most
bartenders find inspiration had a focus on dry, spirit-forward drinks.
The more developed a palate is, the more it will crave this dryness as
it enables more clarification and intensity of flavour. The goal to
mixing drinks is to negotiate between each flavour component to achieve
this overall dryness and stimulate the palate. What this feels like in
the mouth is a slight tingling on the back of the tongue, activating the
saliva glands. Too much sweetness will have an opposite effect, muting
the palate and coating the tongue, which not only suppresses the
appetite but also dulls flavour. There is also the issue of sweet drinks
generally containing too much sugar, of which nobody's diet needs more.
To understand how to balance better, we must first understand how
taste works. There are thousands of taste buds on your tongue and even
some in other parts of the mouth and throat, all containing up to a
hundred taste receptor cells. These chemically interact with any
substance in the mouth and send a signal to the brain that is translated
into taste. For example, sourness is a chemical recognition of hydrogen
ions present in acidic substances like lemon juice. Biologically humans
evolved to seek out energy-rich foods and avoid poison, which is why
sweet tastes so good and bitter is aversive.
Taste can be separated into basic categories: sweet, sour, bitter,
salty, and savory. Texture, aroma, temperature, and alcohol
concentration also play key roles, as do appearance and psychology, but
we will focus just on taste reception. These categories can be separated
into two groups:
Group A: Sweet Savory (Umami) Viscous
Group B: Sour (Acidity) Bitter Proof [DRY]
[Salty is not included here because it acts more as a flavour
enhancer by intensifying most flavours. Salt in the form of minerals is
present in small amounts in mineral water, and some drinks like the
Bloody Mary or the Margarita can actually contain salt.]
Each type of flavour in Group A is proportional to one another. For
example, increasing viscosity will increase the perceived sweetness of a
drink, so using a thicker liqueur or adding egg white will achieve a
similar result to adding more sugar. Likewise, flavour types in Group B
are proportional, so increasing sourness will increase the perceived
bitterness or using a higher-proof spirit will increase perceived
sourness, and so on.
Group A and Group B are inversely proportional to one another,
meaning they have opposite effects on taste. For example, increasing the
amount of sugar will reduce sourness, while increasing bitter
components will reduce sweetness. The goal overall is to balance between
the groups to achieve dryness by leaning slightly towards Group B. Too
much of Group A and your drink will be cloying and flat, but too much of
Group B will be harsh and certain ingredients will dominate.
A few notes on each component:
Sweet: this can be represented by simple syrup, a
liqueur, or a wine. Keep in mind that some liqueurs are sweeter than
others and you may be required to balance accordingly. Liqueurs also
have varying proofs and viscosities, and in the case of amaro, varying
bitterness.
Savory: while it doesn't make many appearances, it
can still play a part in drinks. The Bloody Mary, Red Snapper, and
Caesar are the obvious examples because of the addition of spices,
sauces, and seasoning salts, but a lesser known example is celery
bitters. Some of the herbal components to the Bitter Truth Celery Bitters specifically have a savory element.
Viscosity: the addition of egg makes the biggest
difference, but liqueur viscosity and simple or gum syrup will also play
roles. Adding egg white has many effects on a drink, but probably the
most important is increasing the perceived sweetness, which allows you
to add less sugar than you might otherwise need.
Sour: this can also be described as acidity, as the
sour component in drinks is citrus juice and it is citric acid in the
juice that causes the sour taste response on the tongue. Carbonic acid
is another form of acidity used in drinks in the form of soda water and
sparkling wine and can also be used to balance sweetness. For example, a
French 75 should be made a little sweeter before the addition of the
dry sparkling wine.
Bitter: perhaps the most interesting of flavour
responses, this is literally an on/off switch. While intensity can vary,
there are not the nuances to bitter that there are to sour or sweet.
This response is one we evolved biologically to protect us from poison,
as many bitter substances in nature are dangerous. For this reason,
bitterness is entirely an acquired taste and can be more intense for
some people than others. Bitter ingredients should be used with judgment
as a bartender and balanced accordingly. While some of the best and
most interesting drinks have some degree of bitterness, not all drinkers
will be able to taste any flavour beyond the harsh response on the
tongue.
Proof: this is often an overlooked factor in
balancing cocktails. The higher-proof the spirit, the more the flavour
will cut through other ingredients, and more importantly, the drier the
drink will be as it will increase sour and bitter perception while
decreasing sweet. For this reason, using spirits over 80 proof is always
desirable when mixing cocktails. In the formative years of bartending
most spirits were 100 proof or even higher. As previously mentioned, the
drier the drink the more flavour it will offer, so using 100 proof
instead of 80 proof whiskey in your Manhattan will make a noticeable
difference. If your drink won’t balance properly and you have all the
components you want, try using a higher proof base.
There are numerous other factors affecting the taste of drinks, from
how cold they are to how pretty they are to how visibly enjoyable they
are to the people around you. Biology also affects taste, with specific
gender, age, and body type all determining how taste is perceived. There
are also specific chemical flavour compounds that increase the
perception of sweetness, such as lychee, caramel, or banana, and others
that decrease it, like angelica and juniper. With such an overwhelming
number of factors, the best place to start is to balance basic flavours
properly beginning with an understanding of taste group interaction.
Happy mixing!
To learn more about taste, visit the "science" section of www.andonemorefortheroad.com or check out Darcy O'Neil's slide show on the science of taste at www.artofdrink.com
Great post Rhett - very well researched. Have you thought of writing a book at all?
ReplyDeleteThank you!
ReplyDeleteAnd yes, I have - though there are so many cocktail books out there already. There just might be something Vancouver-specific in the works, however...