Showing posts with label ginger beer. Show all posts
Showing posts with label ginger beer. Show all posts

Tuesday, 8 May 2012

The Black And Tan

I'd like to do a (hopefully) briefer post today. I was flipping through my notebook full of drink recipes I scribble down when something catches my fancy and was reminded of one of the more refreshing rye drinks I've had - The Black and Tan. I found this on Jamie Boudreau's site from a few years ago when it was served as part of a lecture at the Tales of the Cocktail festival in 2007. The name rang a bell in my head and I suddenly remembered a Duke Ellington piece by the name "Black and Tan Fantasy" from 1927. I figure, while the time periods may not match up, the names do and that's good enough for me.

So this cocktail was introduced by Allen Katz at the Rye Whiskey presentation, who claims it was from the Baltimore Country Club in 1898. Now, I may be wrong here, but the Baltimore Country Club was created in 1898, and due the wording of every mention of this cocktail I can find, it seems that Katz was claiming that the drink comes from the same time. This seems a little unlikely to me, as ginger beer was just gaining popularity as a drink by itself in the late 19th century, and mixing it with anything else wouldn't have come until later. So I took a look for any old ginger beer mixed drinks. The oldest I could find with specifically ginger beer is the Moscow Mule from the 1950's (though there is the Horse's Neck, or Kentucky Gentleman, which dates back to the 1890's, but uses just liquor, ginger ALE, and a lemon twist), but that brought me to finding out about the "mule" or "buck" style of drink. The Buck is ginger beer or ale, mixed with liquor and citrus juice, but I can't find any definitive information on how old it is. If anyone has details, please leave a comment!
As for the style of the drink itself, combining whiskey with citrus and sugar, then topping it with ice and soda and garnishing with fresh fruit was a very common drink in the 19th century, with subtle variations leading to numerous names - the Fizz and the Daisy, for example - and numerous others without the carbonated water, such as the Cobbler, Fix, Smash, and so on. There were also Champagne Cobblers, combining fruit, sugar, citrus, and bubbly, and Cobblers that required the fruit to be muddled and not just decoration, so from different directions a Black and Tan could have been plausible for the time. Having said all of this, I still have seen no proof or direct written account that claims the Black and Tan comes from 1898, only that it comes from the Baltimore Country Club.

Regardless, it's delicious and refreshing and very pretty. I always include this disclaimer for any Canadian readers - "rye" means whiskey made specifically from at least 51% rye grain. It does not just mean "Canadian whisky," and it's very sad and frustrating that the term has this second meaning because it leads to confusion and misinformation. This drink should be made with American straight rye whiskey, such as Rittenhouse 100 or Sazerac, and it just won't taste right if you try to use Canadian or bourbon.

Another disclaimer - this cocktail is NOT to be confused with another of the same name that requires you just to mix a light and dark beer. I'm not a beer drinker, but I think that's kind of weird.

BLACK & TAN

2 oz American rye whiskey
¼ oz simple syrup
¼ oz fresh lime juice
5 blackberries
8 mint leaves
Ginger Beer


In a mixing glass, muddle blackberries with simple syrup, lime and mint.
Add Sazerac rye and shake vigorously over ice.
Strain into a Collins glass filled with ice, then top with ginger beer.
Garnish with two fresh blackberries on a cocktail pick.



Duke Ellington, in case you are unfamiliar, is widely considered one of, if not the greatest American composer of all time. He wrote over 1000 compositions, has been decorated with every kind of award, tribute, and induction that can be bestowed upon him both while he was alive and posthumously. He scored for everything, not just big bands, and was integral to the evolution of jazz, helping to make it considered more of an art than just young-people-or-black-people-party-music, and he was also integral to the paradigm shift of America's view towards "coloured" people. His compositions were dynamic, intricate, and beautiful, and ranged from dance-floor romps to delicate ballads. He also incorporated African culture into his performances and music in the earlier years, in part leading to the misinformed and offensive term "jungle music." In 1927, Ellington wrote a piece called "Black and Tan Fantasy," which was later adapted into a feature film in 1929 by the same name as a showcase for the Harlem Renaissance Movement in art and music. Due to racial issues in the south, a lot of African American/black families moved to the northern cities to build better lives and get better jobs, particularly after World War I, and a mecca for this migration was New York City, namely Harlem. This became a centre for artistic culture through the 1920's and 1930's (at the time named the "New Negro Movement"), and really became a driving force behind the Civil Rights Movement that was to come after the 1940's. Jazz was a huge part of this scene, and it was innovators like Louis Armstrong and Duke Ellington who, as I have mentioned more than once, shaped the genre into what it would become.

"Black and Tan Fantasy" is a typical blues progression, one that served as a framework for the majority of early jazz, so is still a fitting piece if we want to come back to the year 1898. It is a sad and angry piece of music, filled with aggression but also despair and apathy of sorts, which would be very fitting for the racial situations of the time. It is ironic to pair a cocktail from a white country club in Maryland with a Harlem Renaissance piece of music, and also ironic that they share the same name (again making me wonder exactly when this cocktail showed up), but that's the fun of doing this sort of thing.

Enjoy your delicious and refreshing spring/summer drink, The Black and Tan, perhaps with a little of the Duke - though perhaps put something a little more upbeat on afterwards, like "It Don't Mean A Thing If It Ain't Got That Swing," or "Take The 'A' Train."




[[ Photography by sloshed.hyperkinetic.org (cocktail) ]]

Thursday, 12 April 2012

Amaro April: "The Imperial Eagle" From Bourbon & Branch

Last month we saw a creative cocktail from Jayson Wilde, the general manager at Bourbon & Branch, in which he infused Maraschino liqueur with Meyer lemons, as well as using blood orange syrup, cinnamon, and a black pepper tincture. This month, Jayson is simplifying things a bit, but still uses spice and fruit to play with both the base spirit - this time bourbon - and the modifier, amaro Averna. There are again a lot of elements here - the basic idea is a bourbon sour in which he's using ginger syrup and Averna to sweeten instead of just sugar. He's also using a traditional silver or Ramos Fizz framework, with the sour, spirit, sugar, egg, and bubbles combination, this time using ginger beer instead of just plain soda. Add the two elements together, with a little extra aroma and presentation using peach bitters, and you have a tasty and complex drink.

You can check out Jayson's "Blood Lust" cocktail along with a small review of Bourbon & Branch on this Maraschino March post.

A note on ingredients...
You can get the Eagle Rare 10 Year at the BC Liquor Stores, and it will run you $60. It's $30 or so in the states, and it's an excellent choice for the money. It's made by the Buffalo Trace distillery, so their regular BT bourbon would be a suitable substitution if you have to; I would not use too sweet or soft of a bourbon here (like Maker's Mark). As for the ginger beer, be sure to get a beer and not a ginger ale, which is much sweeter and less ginger-y. Bundaberg is Australian and I've never seen it here, but many markets, liquor stores, Whole Foods, and Gourmet Warehouse all sell good substitutes. Fee's peach bitters can be picked up at Gourmet Warehouse for $8.

The Imperial Eagle

2 oz. Eagle Rare 10 Year Single Barrel Bourbon
1 oz. Lemon Juice
0.5 oz. Ginger Syrup
0.5 oz. Averna
0.5 oz. Egg White
0.75oz Bundaberg Ginger Beer 
1 dash of Fee's Peach Bitters

Shake ingredients with ice, strain into a Collins glass.
Add the ginger beer over top as a float, then add an extra dash of the peach bitters on top of the foam.

[[ See my post on amaro digestivos here ]]
[[ See my post on amaro aperivos here ]]
[[ See a buying guide for amaro here ]]

[[ See "The One Hit Wonder" from L'abattoir in Vancouver here ]]
[[ See "The Penny Farthing" from Pourhouse here ]]
[[ See an introduction to amaro  here ]]
[[ See "Sevilla" from Beretta here ]]
[[ See "Fallow Grave" from the Toronto Temperance Society here ]]
[[ See "The Black Prince" from Phil Ward here ]]
[[ See "Bad Apple" and "Jackson Ward" from Amor y Amargo here ]]
[[ See "The Four Horsemen" from Jay Jones at Shangri-La here ]]
[[ See Colin MacDougall from Blue Water Cafe here ]]
[[ See "Debbie Don't" from Dutch Kills here ]]
[[ See "Welcome to the Dark Side" from Cin Cin here ]]
[[ See "Foolish Games" from Russell Davis here ]]
[[ See "Intro To Aperol" from Audrey Saunders at Pegu Club here ]] 

Friday, 24 February 2012

Fernet February: "The Dark And Fernet-y" From Rob Roy

So this is the final Fernet February cocktail recipe from a local bar. I will be doing a small piece on 1940's New York where we will discover the Toronto Cocktail to finish off the month, but this is the final recipe submission.
Tonight we head south again to Seattle to visit one of the more fun, interesting, and renowned bars in the city. As more and more bars start to attempt to jump on the (slowly growing) bandwagon of classic cocktails, it becomes harder in good food and drink cities to find reliable and skilled bars. That sounds strange to say, because so much of the last 20-30 years has been a treasure hunt for anyone who gives a crap at all about cocktails, let alone good-quality spirits. Up until recently it's seemed impossible to find somewhere to get a good drink, and now it's becoming even more confusing because there are bad bars misleading you by offering classic cocktails then making them poorly. San Francisco, New York, Chicago, Seattle, and yes, Vancouver, are all great destinations for food and drink, but it's always good to make sure you check the reviews, menus, and word-of-mouth to make sure you know where to go. Seattle has a great selection, from Canon and Zig Zag, to Tavern Law and Bathtub Gin & Co., to Hideout and Vessel, and of course, Rob Roy.
Tonight's bar was recently named one of the top 50 bars in the U.S. for 2011 by Food and Drink Magazine, and it's a pleasure to get a recipe from owner and bartender Anu Apte - even if it's the simplest of their selection. First of all let's take a look at Rob Roy's aesthetic, which is awesome. There is a 1970's vibe, with padded leather walls, stacks of books, washrooms dressed in graffiti, interesting art, and vintage tape recorders. Easily the coolest thing about Rob Roy is Tuesday "analog nights," during which all music is played either on vinyl or cassette and you are encouraged to bring your own selections in. If they approve, you even get a cocktail on the house. Awesome idea.
You can check out a short interview on the Small Screen Network on "Hanging With Harris" here, and see Anu talk a little about the place and make their namesake cocktail. (My favourite quote here is definitely "we do have a small selection of vodka, even though we're a cocktail bar - we still have the weekend crowd," after showing off the impressive amount of rye, bourbon, mezcal, and Cognac).
P.S. is it me, or does Harris sound just like Patton Oswalt? (one who interrupts way too much)...

Other Fernet originals at Rob Roy include the "Owl's Clover," using Cocchi Americano, Fernet Branca, lemon juice, honey, and lavender bitters, and the "Ginslinger," using Old Tom gin, Fernet Branca, cane sugar, and Regan's orange bitters. There's definitely some interesting modern mixology at play here, but you can also tell that there's a genuine appreciation for classic cocktails too. Their "classic cocktails" menu alone shows a vast knowledge, as none of the drinks are easily recognizable, such as the "Duke of Norfolk Punch," "The Ancient Mariner," "Delores," and "Warday's Cocktail." I know, I haven't heard of these either.

It being a super busy month for cocktailia, Anu couldn't get me a new original, but was kind enough to pass on a popular choice at Rob Roy - a simple and well-matched drink (we've seen this month that Fernet pairs well with ginger beer and almost any fruit juice). It's just a "Dark and Stormy" with Fernet in place of rum, and is a great way to enjoy the amaro.

Dark and Fernet-y

1.5oz Fernet Branca
4-5 Lime Wedges

Ginger beer
Muddle wedges in collins glass, add ice, Fernet, and ginger beer, and stir lightly.



If you're in Seattle, Rob Roy should definitely be on your list of top cocktail destinations, and I'm sure you'll be excited by both their creative originals and obscure classics on the menu. Thanks to Anu for contributing!

[[ see the "Gastown Swizzle" from L'Abattoir here ]]
[[ see the "Chinatown Sour" from The Keefer here ]]
[[ see "Pandemonium" from Veneto Tapa Lounge here ]]
[[ see "The Bittercup" from Pourhouse here ]]
[[ see "The Vested Bartender" from Boneta here ]]
[[ see "The Parliament" from The Diamond here ]]
[[ see "Parliament Hill" from The Hideout here ]]
[[ see "The Lucky Lady" from The Refinery here ]]
[[ see "The Denny Triangle" from Jamie Boudreau / Canon here ]]

Monday, 13 February 2012

Fernet February: "Profanity Hill" from The Hideout

Tonight's cocktail hails from The Hideout in Seattle, a dark and delightful little bar filled with independent art and stocked with well-crafted cocktails.
You can see my review here.

This drink, along with The Bittercup from Pourhouse, is essentially what inspired me to do this whole series. I love the flavour of Fernet - I often drink it at home with some club soda - but when used in cocktails it consistently overpowers the other ingredients and rarely gives a balanced drink. The Toronto was the first one I tried that I felt was balanced when made by a professional, but I failed time after time to achieve that balance at home. I then found The Bittercup, which is an incredibly creative drink, but I felt like there was more to be achieved and in a simpler manner. Then on my last trip to Seattle, I stumbled across The Hideout and tried the Profanity Hill cocktail from bar manager Kristen Naranjo and was first of all impressed by the very different style, but also realized how well Fernet worked with fruit - in this case, blackberry. Add in some sour, a dark rum base, and top with ginger beer (the last being absolutely key) and suddenly a very different and wonderful thing is accomplished with Fernet.

Profanity Hill took me on an adventure at home experimenting with different kinds of fruit and different bases and I ended up having a lot of fun and finding a new appreciation for the amaro. I also feel like I've learned a lot more about balancing a cocktail in general. 
As I've mentioned in previous posts, I feel like the cocktails that make Fernet work the best are ones that treat it as a bitters rather than a liqueur. L'Abattoir uses it as a bitter float, Diamond and Keefer use it in replace of Angostura bitters in Trinidad Sour-style drinks, Boneta uses little more than a dash, and so on, and these drinks all really work. I've been to numerous bars that use a full half ounce in place of a typical liqueur in a basic drink and all you end up with is a big, high-proof glass of Fernet. I'm excited this month to share all these delicious, balanced, and exciting drinks using Fernet from all these wonderful places, and hope that it inspires some of you reading to start experimenting more at home - whether it's with Fernet or not.

On to the drink, and if you end up in Seattle any time soon there are a lot of amazing bars to visit, but please put The Hideout on your list - and if you do, make sure you try The Profanity Hill.

Profanity Hill


1.5 oz Blackstrap Rum (preferably Cruzan)
0.25 to 0.5 oz Fernet Branca
(to taste)
.25 oz fresh squeezed lime juice
Blackberry preserves
Goslings Ginger Beer

Shake first three ingredients, strain over ice and add barspoon of preserves on top (bramble style).
Top with Goslings Ginger Beer.


[[ see the Fernet February introduction here ]]
[[ see the "Gastown Swizzle" from L'Abattoir here ]]

[[ see the "Chinatown Sour" from The Keefer here ]]
[[ see "Pandemonium" from Veneto Tapa Lounge here ]]
[[ see "The Bittercup" from Pourhouse here ]]
[[ see "The Vested Bartender" from Boneta here ]]
[[ see "The Parliament" from The Diamond here ]]
[[ see "The Lucky Lady" from The Refinery here ]]
[[ see "The Denny Triangle" from Jamie Boudreau / Canon here ]]


Photography by The Last Bite.